Last month, we celebrated my 5-year-old's birthday with a Batgirl party! Continuing with the tradition, here's another full post of Zoe's current favorite tune. Like her mama, my little Batgirl loves the classic stuff, and I'm sure you will appreciate her selection as well!
So most of you guys know we moved to Virginia last year, but I don't think I've mentioned that we're already back in Southern California (thanks to military life)! During our East Coast stint, this Batgirl enjoyed identifying with her roots as a California Girl and regularly requested this Beach Boys standard. A #3 summer hit in 1965, gotta love The Beach Boys performing "California Girls" on The Jack Benny Show, the ultimate "California Sound" from the 1960s.
And while on the subject of California, she (and me too) also found a whole new appreciation for this classic, especially after experiencing a chilly winter in Virginia. The Mamas & The Papas convey that feeling of longing for the California warmth all too well in this beauty, and my kid perked up every time it came on the radio. Peaking at #4 on the US chart in '65, "California Dreamin'" is truly one of the greatest songs of all time (classic performance on Hullabaloo).
While there are quite a few Manfred Mann tunes that Zoe loves like the hilarious "My Name Is Jack" and the catchy "Do Wah Diddy Diddy," this minor US hit really caught her attention. Released in spring of 1966, "Pretty Flamingo" reached #1 in the UK (#29 in the US) and features future Cream bassist Jack Bruce, who briefly joined the band in '65. Thank goodness for satellite radio (the '60s on 6 channel) which introduced us to this gem!
And now for something completely different, here's a
little something from American country music singer Sonny James. Originally an instrumental by British guitarist Bert Weedon, the 1954 American western filmApache was the inspiration for this tune. Referred to as the "Indian song" by my kiddo (yeah, sorry, not political correct), here's Sonny James' 1961 version of "Apache." (Love The Ventures' cover too!)
Well, here's a cute ditty that Zoe loves to bop around to. Seriously, what youngster wouldn't like a gum-smacking tune like "Sweet Pea?" Written and performed by American pop music singer-songwriter Tommy Roe, "Sweet Pea" reached #8 on the Billboard chart and #1 in Canada in 1966. Singing with a young girl from Santa Monica in '67, here's a cute video of the innocent days of yesteryear.
Now here's a real hoot: a little psychedelic made this playlist! I'll never forget hearing this tune come on the radio while driving in the car and Zoe was immediately interested, asking to hear it again. Reaching #11 in 1967, here's The Electric Prunes performing their psychedelic rocker "I Had Too Much to Dream (Last Night)" on American Bandstand. Can't say I've seen a garage band with an autoharp before. Gotta appreciate this kid's variety!
Here's another catchy tune that Zoe loved belting out in the car this past year (notice we're always listening to music in the car?!). British sweetheart Petula Clark had a huge international hit in 1964 when "Downtown" reached in #1 in the US and #2 in the UK. What a classic song by a lovely singer. Enough said.
Being familiar with fairy tales, this Batgirl loves this garage rock song by Sam the Sham & The Pharaohs. "Lil' Red Riding Hood" was the group's second Top-10 hit, reaching #2 on the Billboard chart and in Canada. It might be the wolf howls, but I was a sucker for this classic tune at her age too. Excited I finally found footage of a performance but too bad the audio is out of sync.
Next up is an English beat group that always sounds like they're having a great time. Written by Cat Stevens (ya learn something new every day!), The Tremeloes' cover version of "Here Comes My Baby" reached #4 in the US and #13 in the US in 1967. Zoe insists that her dad and his Marine buddies sang this song to her as a baby. Cute story, but we'll give all the credit to this spunky group. Love their energy in this live performance! (And check out Cat Stevens' original version here with a bit of a baroque pop sound).
Now can't forgot this totally groovy tune: "Crimson and Clover" by Tommy James & The Shondells. Written by frontman James and drummer Peter Lucia Jr, this psychedelic pop tune reached #1 on the charts after its release in late 1969, selling 5 million copies. Batgirl can't get enough of the super-cool tremolo effect on the vocals at the end of the song, however, I haven't shown her this little creepy performance from The Ed Sullivan Show.
And the most recent song added to Batgirl's playist is The Monkees' garage rock tune "(I'm Not Your) Steppin' Stone." Written by Tommy Boyce & Bobby Hart, it was first recorded by Paul Revere & The Raiders, but with the help of The Monkees TV series, this B-side single made it to #20 the charts in 1966. Sometimes all it takes is a simple lyric like "I-I-I-I-I'm not your steppin' stone" to get a kid bouncing. Such a blast from the past getting to watch this groovy show with my kiddo!
And finally, in honor of my Batgirl's birthday, here's the opening credits to the campy but classic Batman TV series, which included Yvonne Craig as Batgirl in Season 3 in 1967/'68. We totally had this footage playing in the background at Zoe's party, what a blast! Composed by Neal Hefti and using a guitar hook similar to spy film scores and surf music, this classic tune continues to be one of the most recognizable of TV themes.
Bubblegum Pop: Part 3
While the music of Tommy James & the Shondells spans a wide variety from garage rock to psychedelic rock, some of their tunes have been retrospectively labeled as an early form of the bubblegum sound. Released in 1967, "I Think We're Alone Now" was one of Tommy James' most successful recordings, reaching #4 on the US charts during a 12-week stay, and was later named "the bubblegum apotheosis" by some rock critics. Like several of James' records, this was a picture-perfect production masterpiece and a great pop tune with a heart-beat bass line (basically a template for bubblegum pop). Apparently because the bass player that didn't show up to the recording session, James improvised that bass line on guitar himself. This classic, good-timing tune has been covered several times by other artists (a staple for my dad's garage band in the '60s!), including a #1 hit version by Tiffany in the '80s.
------------------------------------------------------------------------------------------------ The prolific songwriting duo of Boyce & Hart had a talent for writing upbeat, hit songs (later called "sunshine pop") that made for the perfect segue into bubblegum pop. After working for Screen Gems and creating the sound of The Monkees, Tommy and Bobby set out together on their own recording adventure, producing three albums with Top-40 hits including "I Wonder What She's Doing Tonight" (previously featured here), "Out And About," and "Alice Long (You're Still My Favorite Girlfriend)." Written, produced, and performed by the duo, "Alice Long" reached #16 on the Cash Box chart and #27 on the Billboard chart in 1968. In this Monkees-like musical romp, these guys look like they're having a great time in this promo video they filmed featuring "Alice Long."
------------------------------------------------------------------------------------------------ Speaking of The Monkees, there is actually some debate online as to whether they were really a bubblegum group (one such hilarious debate here). Yes, these guys were initially a prefabricated band, manufactured to sell records of hit songwriters (the perfect prototype for bubblegum pop), just like the studio-assembled music by Super K Productions from a few posts ago. Before the group staged a coup and took control over their own musical output (this altering their sound), they definitely had some hook-filled pop tunes with that touch of bubblegum, particularly tunes with Davy Jones' vocals. Amongst a very extensive catalog including power pop, psychedelic rock, country rock, garage rock, and even Broadway rock, this Neil Diamond-penned number, "A little Bit Me, A Little Bit You," was actually released against The Monkees' wishes (they had planned on releasing "All of Your Toys" here, the now legendary single-that-never-was), yet it did manage to reach #1 on the Cash Box chart and #2 on the Billboard chart in March of '67. In this musical sequence from their TV show, The Monkees are apparently trying to sabotage the movie career of a pompous singer, played by Bobby Sherman (before he hit teen idol status the following year)!
------------------------------------------------------------------------------------------------ So next up, of course it's American singer and actor Bobby Sherman, who's not pompous at all but among the most kind-hearted and charitable of stars. Being the first performer to star in three different TV series before the age of 30, Sherman began his entertainment career as a regular cast member/house singer for ABC's Shindig! in the mid-'60s (which I'm thoroughly impressed with his cover performance of The Zombies' "She's Not There," featured on the show here), but he didn't become a breakout star and teenage heart-throb until 1968 when he starred in Here Come the Brides. Besides a successful recording career that earned him seven gold singles, one platinum single, and five gold albums, he found another calling in life in the mid-'70s, becoming a certified EMT (emergency medical technician), and since the '90s, he has served as a medical training officer for the Los Angeles Police Department, instructing thousands of police officers in first aid and CPR (what a guy!). Here's a performance of Sherman's first million-selling single, "Little Woman," which peaked at #3 on the Billboard charts in 1969.
------------------------------------------------------------------------------------------------ Well, since our final Bubblegum post scheduled for next week is only featuring family groups, I better toss one last group to complete this post. Another studio concoction created by Super K Productions, Crazy Elephant was a short-lived American bubblegum pop band in the late-'60s. Known as a transatlantic one-hit wonder, their 1969 single "Gimme Gimme Good Lovin'" made it to #12 on both the US and UK charts, however, their follow-up singles failed to chart. Allegedly, Cash Boxmagazine promoted the band as being a group of Welsh coal miners (huh?). Like other Super K-created bands, a touring group was later formed for promotional purposes. With random but fitting footage of the Hullabaloo house dancers, here's an audiophile showing off his original 45 of this fun, bubblegum standard.
Flower Power: Part 4
Each of the four bands in this post have been featured a few times before here at The '60s Beat, but what can I say? They have many great tunes! While Flower Power is not actual genre of music, these songs continue to represent the various sounds of Flower Power.
During the '60s, Tommy James & the Shondells released six 1-million-selling gold records, one of which was "Crystal Blue Peruasion," a groovin', gentle-tempoed tune from June 1969. Composed by Tommy James with Eddie Gray and Mike Vale, the song is built around a prominent organ part with gentle lines by an acoustic guitar, a very understated arrangement. While some listeners thought this song was about drug use, James explains where he came up with the title: "I took the title from the Book of Revelation in the Bible, reading about the New Jerusalem. The words jumped out at me, and they're not together; they're spread out over three or four verses. But it seemed to go together; it's my favorite of all my songs and one of our most requested" (Hitch magazine, 1985). Reaching #2 on the charts, its clear the lyrics are expressing that "love is the answer." Although there are no live performances by Tommy James & the Shondells (not until more recent years), here's a primitive, non-representative music video that was made showing images of late 1960s political and cultural unrest (okay, the footage is a bit wild, but we're here for the music anyway).
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Although this next song was released a year prior to the infamous Summer of Love (1967), it seems to appear on nearly every Flower Power CD set. After a string of folk-flavored pop hits, The Lovin' Spoonful's biggest hit was "Summer in the City," which scored #1 on the Hot-100 chart in August of 1966. This song was actually written by the brother of band leader John Sebastian, Mark Sebastian (along with band member Steve Boone) who had submitted the lyrics as a poem for a literary magazine while in boarding school. John kept the title and refrain ("but at night, it's a different world..."), but changed the slower verses to be more upbeat. During the instrumental bridge of this song, a series of car horns are featured (beginning with a VW Beetle horn and ending with a jackhammer) to represent the city sounds in the summer. This is another one of those classics included on the Rolling Stones' list of the 500 Greatest Songs of All Time. Although this TV footage is a little grainy, you can't miss the band's enjoyment (nor John Sebastian's huge mutton chops!).
------------------------------------------------------------------------------------------------- Another band with numerous hits at or near the top of charts in the late '60s, The Association enjoyed several success in 1967. After having the unique honor of being the first act to perform at the Monterey Pop Festival that June (kind of a lead-off concert to the Summer of Love), they also scored big with their singles "Windy" and "Never My Love" (already featured here). Reaching #1 on the charts in July and remaining there for four weeks, "Windy" was the group's second U.S. #1, following "Cherish" in 1966. During the session (knowing they were in the middle of recording a hit), The Association members called in the song's writer, Ruthann Friedman, and asked her to sing on the fade at the end. This footage comes from a live performance at the 1967 Ravinia Festival in Highland Park, Illinois (complete with a blond Windy being cute. Where can I find a white, ruffle bathing suit?).
------------------------------------------------------------------------------------------------- And we'll conclude with one of my favorite British groups, The Zombies, who will always remain a mystery (to me) as to why they were more popular in the U.S. than their native England. Unfortunately after the release of their album Odessey and Oracle in 1968 (considered to be one of the greatest albums of all time), the group disbanded, but a few singles managed a U.S. release at the urging of new A&R rep Al Kooper. First recorded in Abbey Road Studios in 1967, "Time of the Season" was finally released as a single in November 1968 and made a breakthrough in early '69, reaching #3 in the U.S. and #1 in Canada. Written by keyboardist Rod Argent, the lyrics of this psychedelic pop song perfectly depicted the emotions surrounding the Summer of Love, and is remembered for its call-and-response verses like "What's your name? (What's your name?) / Who's your daddy? (Who's your daddy?)." The uniqueness of lead singer Colin Blunstone's voice, the memorable bass line (similar rhythm to Ben E. King's"Stand By Me"), and Argent's psychedelic improv on the keyboard make this a masterpiece, so much that it is regularly used in pop culture (film and TV) to represent the late 1960s. As The Zombies were long broken-up by the time of its release, they were no live performances of "Time of the Season" during this decade.
Well, you can't get much more American than Paul Revere & the Raiders, a rock band that formed in 1960 from Boise, Idaho. With Paul Revere as the rockin' keyboardist and Mark Lindsey singing lead vocals, these guys first started out playing garage rock at teen dances. Under the guidance of producer Terry Melcher, the guys relocated to L.A. in 1965 and began recording music that mixed the sounds of the British Invasion bands with an American, R&B feel. Gaining considerable mainstream success through national TV appearances as regulars on Dick Clark'sWhere the Action Is, they were presented as America's response to the British Invasion wearing American Revolutionary War uniforms, however, fellow West Coast bands and the counterculture youth were not fans. Released in March 1966, one of their biggest hits was "Kicks," an anti-drug song by songwriting team Barry Mann and Cynthia Weil, originally written for The Animals (who turned it down). Reaching the #4 position on the charts, this garage rock tune is now among the 500 Greatest Songs of All Time. Apologies for the watermark but I loved the color footage.
----------------------------------------------------------------------------------------------- The Turtles first began as a surf-rock group in Westchester, California (west L.A.), formed by Howard Kaylan and Mark Volman in 1965, however, following a popular musical trend at time, they re-branded themselves as a folk rock group. Like The Byrds, The Turtles achieved breakthrough success with a Bob Dylan cover ("It Ain't Me Babe") in late '65, but it wasn't until 1967 that the group gained the most chart success. Released in February '67, "Happy Together" knocked The Beatles' "Penny Lane" out of the #1 position on the charts, and has since become the group's signature song. This tune had actually been rejected a dozen times before it was offered to The Turtles, and with their bassist Chip Douglas providing the arrangement (who soon after became the producer for The Monkees), this folk rock/psychedelic rock/pop rock song has been used in many films, TV shows, and commercials. With over five million plays on American radio, it ranks as one of the most performed songs in the US of the 20th century, placing it in the same league as The Beatles' "Yesterday" and Simon & Garfunkel's "Mrs. Robinson." This will always be one of my favorites (though some of the non-Turtle clips in this video were definitely added in 1980s, probably re-edited for playtime during MTV's early years).
------------------------------------------------------------------------------------------------- From Niles, Michigan, the rock band Tommy James & the Shondells formed in 1959 when lead singer/guitarist Tommy James was just 12 years old (first known as Tom & the Tornadoes). Officially changing to the Shondells in 1964, the group had a big local hit with "Hanky Panky," but after they did not break into the national market, they disbanded after high school graduation. When a Pittsburgh radio station unearthed the forgotten single, Tommy James reformed with a new group of Shondells and went on to have many successful hits, ranging from garage rock, psychedelic rock, and bubblegum (which he hated). Released in February of 1968, "Mony Mony" reached #3 on the US charts and went to #1 in the UK, their only song to even reach the Top-20 across the Atlantic. The song's title was inspired by a sign for Mutual of New York just outside James' apartment window in NYC. Later embracing the sounds of psychedelia (like "Crimsom and Clover"), the group was even invited to perform at the Woodstock concert, but they declined. Here's another rockin' song by Tommy James & the Shondells.
------------------------------------------------------------------------------------------------ From Garfield, New Jersey, The Young Rascals were a blue-eyed soul/pop rock band that released numerous Top-10 singles in their career from 1965 through 1972. They first gained modest success after they performed their debut single ("I Ain't Gonna Eat My Heart Out Anymore") on the TV program Hullabaloo in 1965, but it wasn't until they released "Good Lovin'" in February of '66 that they really made a name for themselves. Becoming the first of three #1 hits for The Young Rascals, this mixture of garage rock and white soul, as well as their variety of hits to come, had a big impact on aspiring R&B-flavored, white acts. With its high-energy instrumentation, call-and-response vocals from lead singer/organist Felix Cavaliere and the band, and a complete false ending (popular at the time), "Good Lovin'" has since become labeled as one of the 500 Songs that Shaped Rock and Roll and is among the 500 Greatest Songs of All Time. Oh and if you ever notice another group from the 1960s simply called The Rascals, they're the same guys; the band dropped the "Young" part of their name in early 1968. Another great live performance from the Ed Sullivan Show!
Harp Week: Part 1
And now for something completely different (as Monty Python would say), it's officially Harp Week. As a professional harpist, I'm currently preparing for a big solo harp recital at the end of this week, and my mind is obviously in "harp mode." Although practicing is definitely a priority over blogging at the moment, I will still leave you this week with a couple of small, yet interesting posts about 1960's pop music that includes the harp!
A beautiful, sad song with thoughtful, observational lyrics, "She's Leaving Home" was the first Beatles song to use a female musician on a recording, harpist Shelia Bromberg. From Sgt. Pepper's Lonely Hearts Club Band, one of the most important albums in rock music history, this song was written by Paul McCartney, who was inspired by a newspaper article about a missing young girl. This baroque pop piece was also one of a few songs by The Beatles in which none of the members actually played on the recording, just lead vocals by Paul, and John Lennon signing the the parents' view in the chorus (Greek chorus). From June 1967, this is a wonderful piece of music with a lovely harp solo in the introduction.
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Also from 1967 but with a completely different sound, Tommy James & The Shondells' "Mirage" is a pop rock song with a distinctive harp part. Tommy got the idea for this song from a mistake in the studio: their producer accidentally put the tape of their previous hit, "I Think We're Alone Now," on the player backwards. The band liked the sound of the chord progression, and songwriter Ritchie Cordell wrote the lyrics. Hitting #10 on the charts, "Mirage" is a fun, yet very under-played song (on current "oldies" radio) with a noticeable harp accompaniment, including the infamous harp effect, the glissando.
Coming from the book 1001 Albums You Must Hear Before You Die, this next song is from the psychedelic/rock album Ogdens' Nut Gone Flake by the English rock group, Small Faces. One of the biggest original influences on the Britpop movement in the 1990's, the music of Small Faces is still among the most acclaimed British mod and psychedelic music of the late 1960's. From their two-act concept album in 1968, "Happiness Stan" is a whimsical, psychedelic fairy tale that is through-composed (music term for non-repetitive), and is narrated by old British comedian, Stanley Unwin. And so where does the harp come in all this? Well, only at the very beginning of the piece, of course. So I've posted two different videos of this song: the first is just the "Happiness Stan" portion from the Small Faces' performance of the entire Ogdens' album on the TV show Colour Me Pop (although because of the album's complexities, it was a mimed performance, however, their mics were left on to capture little ad libs, which are quite cute). Although it's a fun video, it actually cuts out almost the entire harp solo introduction (with the exception of one glissando), so I had to include an alternative YouTube post (though no video footage) with the entire harp solo at the beginning (just listen to the first 30 seconds). After all, this is Harp Week!
And for now, I'm going to try to stick with less overwhelming posts like that past few weeks, but please check back later in the week to hear more '60s music with harp!
Psychedelic Week: Part 2 As you may have noticed, psychedelic music mainly emerged from the folk-rock and blues-rock bands of the 60's, which bridged the transition to eventual genres like progressive rock, glamrock, hard rock, and influenced sub-genres like heavy metal. However, psychedelic rock also had an impact on mainstream pop and rock, leading to groups who you wouldn't expect to produce some psychedelic sounds as well.
A group influential in developing the music style of psychedelic rock was the American rock band, The Byrds, with their March 1966 single, "Eight Miles High." From Los Angeles, the group initially founded the genre of folk rock by combining the influence of the British Invasion bands with contemporary and traditional folk music. Later into the 1960's, The Byrds became significant in other genres such as raga rock (East Indian influence) and country rock, in addition to psychedelic, making them one of the most influential bands of the 1960's.
------------------------------------------------------------ As a kid, a psychedelic pop song I loved listening to on my parents' record player was, "Crimson and Clover," by American rock 'n' roll group, Tommy James and the Shondells. Wanting to change the direction of the group's sound, singer-songwriter/guitarist Tommy James and drummer Peter Lucia Jr. wrote this single and released it in November of '68. The song uses a cool tremolo effect on the guitar that vibrates in time with the song's rhythm, and at the end of the song, they use the same vibrating effect on Tommy's vocal part, "crimson and clover, over and over..." This performance comes from the Ed Sullivan Show in January 1969, one week before the single reached #1 on the charts. By the way, does anyone else find Tommy a little creepy in this performance?
--------------------------------------------------------------- Initially a folk-rock musician, Scottish singer-songwriter, Donovan, was also influenced by the sounds of U.S. West Coast bands (like Jefferson Airplane), which led him to develop a unique style that combined folk, pop, jazz, psychedelia, and world music. After Donovan's first psychedelic record, Sunshine Superman, became an American chart breakthrough in 1966, Donovan released the psychedelic/folk/acid rock song, "Hurdy Gurdy Man," in May of '68. He wanted to reach a wider audience in the U.S. where hard-rock artists (like Jimi Hendrix) were becoming quite popular, and as hoped, it became one of Donovan's biggest hits. On many of Donovan's recordings, he used session guitarist, Jimmy Page (later, of Led Zeppelin), though it's uncertain which guitarist is on this recording. Using a similar tremolo effect on the vocal part like "Crimson and Clover," "Hurdy Gurdy Man" is a harder rock sound than Donovan's previous music, using a variety of distorted guitars.
-------------------------------------------------------As you will eventually come to find out, I have a soft spot for the American band, The Monkees. Originally created for a zany TV show in 1966 and only allowed to sing on their first two albums, The Monkees fought "the system" and earned the right to write, record, produce, and play their own music. Singer-songwriter Michael Nesmith wrote a poem (full of psychedelic imagery) about the riots in '67 on the Sunset Strip in Hollywood, and then set it to music as "Daily Nightly." This song features a Moog synthesizer and comes from The Monkees' fourth album, which was one of the first rock/pop albums to pioneer the use of this new synthesizer. Also one of the first to own this instrument, singer/drummer Micky Dolenz actually had no idea how to play the synthesizer, however, he makes wonderfully creative use of its psychedelic sound in this song, as heard in this video from their (normally in color) TV show. The first time my husband heard this song, he asked if it was Jefferson Airplane. Apparently, Grace Slick and Micky Dolenz have a similar quality to their voices (see last post with the video of "White Rabbit"). ----------------------------------------------------------------------- Typically a folk rock/sunshine pop band, the American vocal group, The Mamas and The Papas, also ventured into psychedelic territory in the late 60's. Released in May 1968, the group became more experimental with their album The Papas and the Mamas, especially with the Jimi Hendrix-like guitar sound in "Gemini Childe," as well as the more down-beat, darker sound in the song "Mansions" (posted below). Still with their signature sound of four-part vocal harmonies arranged by the band's songwriter, John Phillips, the group recorded "Mansion" in the home of John and his wife, Michelle (also a founding member of the group). Until today, I actually had never heard this haunting song before; I know, what kind of Mamas and Papas fan am I? --------------------------------------------------------------- And now to finally end this post, it's The Rolling Stones performing, "Paint It, Black" on the Ed Sullivan. Another written by Mick Jagger and Keith Richards, and released in May 1966, this psychedelic/raga rock song was a new direction for the normally rock 'n' roll/bluesy rock group. Also on the 500 Greatest Songs of All Time list, it was the first #1 single to feature a sitar, which was played by the multi-instrumentalist of the group, Brian Jones. Influenced by the use of the sitar in The Beatles' "Norwegian Wood," Brian taught himself to play the Eastern instrument after a visit with the sitar-playing Beatle, George Harrison. Definitely a favorite Stones song of mine.
