Showing posts with label Peter and Gordon. Show all posts
Showing posts with label Peter and Gordon. Show all posts

Friday, July 29, 2011

Clear Channel Communications, And Some

Banned Songs: Part 3

Surprisingly, British cutie Lulu even had a banned song, however, the ban took place over two decades after the song's release in 1969. Performed by Lulu, "Boom Bang-a-Bang" was the UK entry to the Eurovision Song Contest 1969, and was a joint winner with entries from Spain, France, and the Netherlands. The song scored #2 on the UK singles charts and was a major hit throughout Europe. Although the lyrics are clearly about the singer's heart going "boom bang-a-bang" whenever her lover is near, the song was actually included on a blacklist of banned songs by the BBC during the Gulf War in 1991. Guess they were concerned the lyrics might be mistaken for gunfire? Anyway, here's the actual footage from the Eurovision contest.


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On that note, I think I'll mention a few other songs from 1960s that were also blacklisted decades later. In 2001, Clear Channel Communications (the largest owner of U.S. radio stations) released an advisory list of songs which stations were to avoid playing immediately following the terrorist attacks on 9/11.
One of the 165 songs on that controversial list includes a classic by The Happenings, a pop music group known for recording cover versions of songs and making them better than the original. First recorded by The Tempos in 1959, "See You In September" became a huge hit for The Happenings in 1966, reaching #3 on the charts and selling over a million records. Although this song is clearly about two lovers saying goodbye for the summer (and has nothing to do with terrorism), it was suggested to be pulled from the airwaves after 9/11, probably because of 'September' in the title. Filmed at Lake Calhoun in Minneapolis, it's the good ol' days of wholesome entertainment.

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(Denny) Zager & (Rick) Evans, a pop-rock duo from Nebraska, hold the distinct record for being the only act to achieve a #1 hit in both the U.S. and the UK, and then never had another chart single for the rest of their career. Released in 1969, "In the Year 2525 (Exordium and Terminus)" claimed the #1 spot for six weeks, and struck a chord with millions of people as the song describes a nightmarish vision of the future as man's technology eventually destroys the human race. Written by Evans, and backed by a ominous, orchestral accompaniment, the song even references technologies and concepts that had not been brought up by the mainstream media at the time, such as robots, In vitro fertilization, and parents choosing the gender of their future children. It's interesting that Zager and Evan's psychedelic rock/space rock song was just another deemed inappropriate by the CCC following the September 11th attacks (maybe because the song's predictions are frighteningly realistic?).

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Often thought of as a one-hit wonder, American singer-songwriter Norman Greenbaum is best known for "Spirit in the Sky," a psychedelic rock song ,that is among the 500 Greatest Songs of All Time (I really need an acronym for that!). Selling two million copies after its release in 1969, this song hit #3 on the U.S. charts and #1 on the UK, Canadian, and Australian charts. Inspired by gospel music, Greenbaum included a Christian theme in the lyrics, even though he was/still is a practicing Jew. Remembered for its innovative, 'heavy' guitar intro, this song has been used in numerous films, TV shows and commercials. Guess you'll have to read between the lines as to why this tune was considered 'questionable' and added to the blacklist in 2001.

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British Invasion duo Peter & Gordon had two songs on Clear Channel Communications' 'inappropriate' list including "A World Without Love" and "I Go to Pieces" (the latter featured during British Invasion Weeks at The '60s Beat). However, these guys had another hit song in the mid-1960s that caused a little controversy at the time, so I'm posting that one instead since it cracks me up. Released in the fall of 1966, "Lady Godiva" was banned by the mayor of Coventry, England, who felt the song was obscene. Back in the early 11th Century, Coventry was the hometown of the real Lady Godiva who, supposedly, rode naked through the streets to protest the oppressive taxes under her husband's rule. With Gordon on guitar and Peter on banjo, he's the classic duo performing another million-selling single.

Wednesday, April 13, 2011

The British Are Still Coming!

British Invasion: Part 2
Unlike our usual weekly themes, I forgot to warn you that the British Invasion at The 60's Beat will be extended to a couple of weeks! We have so many artists lined up, so who says we have to cram it all into a week? Of a list of about 35 significant groups in the Invasion, we're planning on covering at least 30, so buckle up and here we go!

So continuing on with this British Invasion phenomenon, we have the English group, The Animals, whose signature song was featured during folk rock week. With their gritty/bluesy sound led by the deep-voiced Eric Burdon, the group had ten Top-20 hits including "Don't Let Me Be Misunderstood," released in February of 1965. Originally written for American singer Nina Simone, The Animals turned this jazzy, soulful song into a faster, blues rock version with a memorable organ/guitar riff, becoming a trans-Atlantic hit. Yet another tune found in the list of the 500 Greatest Songs of All Time. Interestingly, this group later went through so many personnel changes that in the late '60s, they relocated to California as a psychedelic rock group named Eric Burdon & the Animals (as Eric Burdon was the only original member).
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Also joining in the Invasion was another Merseybeat group (the name for the rock 'n' roll style of music by bands from Liverpool), Billy J. Kramer and the Dakotas. Also managed by The Beatles' manager, Brian Epstein, John Lennon and Paul McCartney helped the fellow Liverpudlian Billy J. (backed by the Manchester-based Dakotas) reach stardom by writing a series of songs just for them. Recorded at Abbey Road Studios and released in July 1963 (finding its way to the US in '64), "Bad to Me" was a John Lennon composition that put Billy J. and the guys at the #1 position on the charts, becoming the first Lennon/McCartney song covered by an artist (other than The Beatles) to reach the Top-40.
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Another group with this Merseybeat sound was the British Invasion-era duo Peter and Gordon. Schoolmates Peter Asher and Gordon Waller achieved fame in 1964 with the song "A World Without Love," written by Paul McCartney, who composed several songs for the pair (sometimes even receiving uncredited Beatle tunes since Peter's sister, Jane Asher, was Paul's girlfriend throughout the mid-60's). In late '64, they released Del Shannon's "I Go to Pieces," who gave this song to the duo after they had toured together. Also recorded in Abbey Road Studios, this Merseybeat-style tune ascended to the top of the charts in 1965, contributing to their string of hits. After the two disbanded in 1968, Peter took charge of a department at Apple Records, signing artists like James Taylor, and Gordon even went on to perform the roll of Pharaoh in a production of Joseph. Interesting stuff!
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We'll end today with the British R&B, beat, and pop band Manfred Mann, named after their South African keyboardist, Manfred Mann. Emerging from the British blues scene in London's club (along with The Rolling Stones, The Moody Blues, and The Yardbirds), these guys was the first south-of-England-based group to top the charts during the Invasion. With their distinct sound fueled by Manfred's keyboard and the soulful voice of singer Paul Jones, the group had a huge hit with "Do Wah Diddy Diddy," reaching #1 on both the UK and U.S. charts in the fall of 1964. Written by Jeff Barry and Ellie Greenwich, and originally a minor hit by The Exciters (an American vocal group), Manfred Mann's cover version continues to remain a well-known favorite for generations. Later in the early 1970's, Manfred went to form the successful progressive rock group Manfred Man's Earth Band (remember "Blinded By the Light"?). Anyway, I have vivid memories of singing this tune at the top of my lungs as a kid.