Showing posts with label Dusty Springfield. Show all posts
Showing posts with label Dusty Springfield. Show all posts

Friday, October 28, 2011

Halloween Spooktacular

Although Halloween is generally too creepy for me, here's a fun-filled (and I mean full!) post of some innocent, 1960s spookiness.
We're kicking this post off with a Halloween pop favorite, the novelty song "Monster Mash." During the early 1960s, Bobby "Boris" Pickett was an aspiring actor who first gained attention with his Boris Karloff impressions while singing with a band called The Cordials. Composed together with guitarist Leonard Capizzi, Pickett recorded the "Monster Mash" with session musicians credited as "The Crypt-Kickers," and this monster-themed tune reached #1 on the charts in October of 1962, just in time for Halloween. Seeing Pickett's crazy facial expressions are crackup, though you're almost kind of relieved when you finally see him smile at the end (reminds me of the "first Darrin Stephens" from Bewitched in the mid-1960s).

------------------------------------------------------------------------------------------------
This next creepy tune is brought to you by The Turtles before they scored their best-known hit ("Happy Together") in 1967. Released as a single in May of 1966, "Grim Reaper of Love" barely made the Billboard charts since it was clearly too dark for record-buying public. Written by Turtles lead guitarist Al Nichol and bassist Chuck Portz, it's actually a pretty cool and haunting song with the verses metered in a 5/8 feel (some nerdy musician language for ya).

------------------------------------------------------------------------------------------------
And who can forget one of the strangest families on 1960s television? Based on Charles Addams' New Yorker cartoons, The Addams Family TV series ran for two seasons from 1964 to 1966 on ABC, and were often compared to their working-class rivals, The Munsters (that TV theme featured during Surf Rock Week). Composed by American TV and film composer Vic Mizzy (who also wrote the theme to Green Acres), this finger-snappin' tune is still remembered generations later.

-------------------------------------------------------------------------------------------------
Next up is a "spooky little" cover by "The White Queen of Soul," British singer Dusty Springfield. Originally an instrumental song played a saxophonist, the best-known version of "Spooky" was actually by The Classics IV, whose jazz fusion/pop rendition reached #3 on the charts in 1968. Unfortunately no decent videos of The Classics IV's "Spooky" are currently available, so here's the next best cover by the beautiful and sultry Dusty, probably in the early 1970s since her signature beehive hairdo of the '60s is not included.

-------------------------------------------------------------------------------------------------
One of the most recognizable films in cinema history is Hitchcock's 1960 horror film Psycho, with Bernard Herrmann's musical score adding greatly to the tension and drama. Hitchcock himself stated that "33% of the effect of Psycho was due to the music." The Shower Scene is probably the most famous cue in film music, with the shrill screeching of string instruments. However (no Shower Scene today), this sound clip below is the main title of the soundtrack, an intense yet truly fantastic piece of musical art.

-------------------------------------------------------------------------------------------------
And of course a Halloween post deserves a typical and crazy Monkees romp (a music video precursor), featuring the foursome with classic Hollywood monsters in the episode titled "The Monstrous Monkee Mash." Although the episode first aired in January of 1968, the filming actually started on Halloween of '67. Written together by all four of The Monkees with Diane Hilderbrand, "Goin' Down" shows off Micky Dolenz's impressive (and quick) vocal skills, and was the B-side to "Daydream Believer." Sock it to me! (The individual music video has been removed from YouTube, so here's the whole episode! "Goin' Down" begins around the 20-minute mark).

-----------------------------------------------------------------------------------------------
First opening in August of 1969 at Disneyland in Anaheim, California, the Haunted Mansion is a beloved dark ride with a classically creepy theme song heard in many different variations throughout "the tour." Composed by Buddy Baker with lyrics written by Disney legend "X" Atencio, "Grim Grinning Ghosts" featured a pickup group of vocalists including Thurl Ravencroft (in the clip, the "singing bust" on its side) who is also known for singing "You're a Mean One, Mr. Grinch," as well as the voice of Tony the Tiger ("they're ggggreat!"). This particular sound clip comes from the "Graveyard Jamboree" variation where the theme is played the loudest in the ride, with ghosts singing over a background loop including the 1960s-style bass line and rhythm section. In college, I actually based a music composition homework assignment on these chords because I liked the progression so much. ("Graveyard Jamboree" begins around the 10:39 mark).


-------------------------------------------------------------------------------------------------
To end this Spooktacular post, here's my favorite creepy song of the 1960s: "People Are Strange" by The Doors. Written by bandmates Robby Krieger and Jim Morrison, this psychedelic rock song was released as a single in September of 1967, and peaked at #12 on the Billboard charts and #10 on the Cashbox. As a teenager, I heard a cover version of this used for the opening credits of the 1980s vampire film The Lost Boys (with a teenage Keifer Sutherland!), which I think forever etched into my mind the eeriness of this tune. Showcasing The Doors' interest in the theatrical music of European cabaret, this song isn't at all Halloween-related but about alienation and being an outsider, and seems to expose Morrison's vulnerability. On that depressing note, enjoy!


Other 1960s songs that you can include in your Halloween playlist are "Paint It Black" by The Rolling Stones (already featured here) and The Zombies' very interesting "Butcher's Tale (Western Front 1914)" from their Odessey and Oracle LP here.
Happy Fall, everyone!

Monday, April 11, 2011

British Invasion

British Invasion: Part 1
From 1964 to 1966, rock 'n' roll, beat, and pop and rock musicians from the United Kingdom took America by storm in the British Invasion. Influenced by the rebellious tone and image of American rock and roll of the late 1950's, The Beatles were the first to lead the barrage after Beatlemania first began in the UK in 1963. Since my very first blog posts featured The Beatles' arrival in America (here), as well as their historic performance on The Ed Sullivan Show in 1964 (here), I'll just get to another classic performance on The Ed Sullivan Show the following year in 1965. Reaching the #1 spot on the charts and included as one of the 500 Greatest Songs of All Time, "Help!" was written by John Lennon about his stress after The Beatles' quick rise to fame, a literal cry out for help. Performing live, notice Lennon actually forgets some of the lyrics at about 1:00 into the video, but I doubt anyone really cares; it's a great tune!

-------------------------------------------------------------------------------------
In March 1964, the second group for Liverpool, after The Beatles, to have a hit in the U.S. was The Searchers with "Needles and Pins." With their Merseybeat (British beat popularized by The Beatles) sound, this tune was written by Jack Nitzsche and Sonny Bono (yeah, that Sonny Bono) and was originally recorded by American singer-songwriter Jackie DeShannon in 1963. Using a Rickenbacker electric guitar played by Mike Pender, The Seachers' jangly guitar sound was influential in early folk-rock genre of the 1960's.
---------------------------------------------------------------------------------------------
Part of the British Invasion, the English soft/folk rock singing duo, Chad and Jeremy, made a bigger splash with the American music market than that of their native country, even making TV guest appearances on American shows like the Dick Van Dyke Show, the Patty Duke Show,and Batman. Comprised of Chad Stuart and Jeremy Clyde, these guys had two breakthrough hits in 1964, including "A Summer Song," a gentle tune reminiscing about a summer romance. Written by Chad with Clive Metcalf and Keith Noble, this song was an unfortunate flop in the UK but peaked at #7 on the U.S. charts that summer. There was something about this song's sweetness that appealed more to America.
----------------------------------------------------------------------------------------------
During the Invasion, the first non-Beatle act to have a major U.S. hit was pop singer Dusty Springfield. With a career spanning from the late 1950's to the 1990's, Dusty was an important white soul singer and was one of the most successful British female performers, as she had 18 hit singles from 1964 to 1970. Previously recorded by Dionne Warwick and written by Burt Bacharach and Hal David (these guys wrote a ton!), "Wishin' and Hopin'" became Dusty's first American Top-10 hit, peaking at #6 on the charts in July of 1964. Her sultry voice is classic, but too bad this video is a bit out of sync.
-----------------------------------------------------------------------------------------

So we've just nicked the ice berg of the British Invasion, so stay tuned for the many, many British artists to come!