Showing posts with label Neil Diamond. Show all posts
Showing posts with label Neil Diamond. Show all posts

Wednesday, December 18, 2013

Another Birthday

To celebrate my baby girl's 4th birthday today, we're posting some of her favorite songs this year. Before you leave this page and think "oh brother...," Zoe has impressive taste in music, which all you '60s fans will surely approve. Yes, that's my girl listening to The Zombies' Odessey And Oracle album on our turntable. She requested it, so I had to document the evidence, of course! While she still enjoys the songs that were in her birthday feature last year (here), here are the newest ones in her playlist.

Before I even knew what "the birds and the bees" really meant, I loved to sing along to this Jewel Akens' song. Now it cracks me up to see Zoe enjoying the same catchy tune. Reminiscent of 1950s honky tonk-style hits (like Fats Domino's "Blueberry Hill"), this international hit was released in 1964 and reached #2 on the US Cash Box singles chart and #3 on the Billboard chart. Although considered a one-hit wonder, Akens did have other minor hits and even toured with The Monkees. He just passed away this past March at the age of 79. Here's a classic TV performance of "The Birds & the Bees."

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It's not surprising that my daughter loves one of the most influential records in pop music history, but her favorite selection from The Beach Boys' 1966 Pet Sounds is not one of the popular ones. Written by Brian Wilson and Mike Love with Brian as the producer, "I'm Waiting for the Day" is considered art rock and is very experimental as a combination of an orchestral ballad and a modern rock song. Using our beloved "Wrecking Crew" studio musicians, this positive song features a very exciting instrumentation such as timpani, bongos, strings, flute, English horn, ukelele, organ, bass, and drums. Nothing like driving in your car and hearing your child singing all the lyrics.

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Here's another surprising tune from Zoe's playlist: Harry Nilsson's "Mr. Tinker." While his 1968 album Aerial Ballet includes great songs like "Everybody's Talkin'" (a huge hit in '69) and "One" (later covered by Three Dog Night), my daughter is drawn to this beautiful and melancholy number. The arrangement and instrumentation is excellent and so moving as the lyrics tell a story of Mr. Tinker the tailor. Nilsson is such a unique songwriter and I love his variety; even cooler that my kid enjoys the deep tracks like this. And we're in good company: he was the favorite artist of The Beatles!

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I guess I must play quite a bit of '60s Baroque Pop around the house because Zoe has caught on to how great it is! While she does love the well-known "Walk Away Renee" by The Left Banke, she really enjoys their second hit single, "Pretty Ballerina." Released in December of 1966 and reaching #15 on the Billboard chart, this haunting tune is not your typical pop song of the era, featuring beautiful string/oboe accompaniment and the soaring vocals of Steve Martin (Caro). Definitely an under-rated band!

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While it's appropriate that my kid has a Bubblegum pop tune amongst her favorites, I think the underlying reason she loves this song may be due to the fact that she thinks it's about a large, furry Star Wars character of the same name. In March of 1969, Ohio Express's "Chewy Chewy"became their second million seller and reached #15 in the US, #6 in Australia, and #2 in Canada. While Ohio Express was a studio creation by Super K Productions, they had their biggest success during this time with singer Joey Levine, however, the touring group included a completely different of musicians. Nothing like a little Bubblegum to get the happy juices flowing.

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This next gem comes from the wonderful 1968 album The Kinks Are the Village Green Preservation Society. A collection of thematic vignettes of English town and hamlet life, written by The Kinks' own Ray Davies, "Animal Farm" is wonderful, 'pastoral escape' that makes excellent use of the Mellotron, simulating string and woodwind backing tracks. Although the record is widely considered one of the most influential and important works by the Kinks, it failed to chart upon release, and only sold about 100,000 copies; it was released November 22, 1968, the same day The Beatles released their White Album. Now this Kinks album is ranked amongst Rolling Stone's 500 Greatest Albums of All Time.

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Another under-rated album now in that list of the 500 Greatest Albums of All Time, The Zombies' Odessey and Oracle definitely caught my daughter's attention but with the most unexpected song. Recorded at Abbey Road Studio in 1967, "Beechwood Park" has a smooth groove complete with a mellow guitar intro, dreamy lyrics, and the breathy vocals of the talented Colin Blunstone. Although one of the biggest songs of the '60s came from this album ("Time of the Season"), Zoe is fascinated by this extraordinary beauty by my beloved Zombies.


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And seriously, what kid wouldn't like a song about an octopus's garden? From The Beatles' last recorded album, Abbey Road, released in 1969, "Octopus's Garden" was drummer Ringo Starr's most successful songwriting effort, and was inspired by a trip to Sardinia aboard Peter Sellers' yacht (yes, the hilarious British actor, long story). I still have my parents' original Abbey Road album and now course, the love of this childhood favorite of mine has been passed down in the family.  
 

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Zoe has a dear friend named Caroline, so as soon as she caught the lyrics of this Neil Diamond classic, she requested to hear "Sweet Caroline" every time we drove in the car (where we do most of our music-listening). Released in September of 1969, this soft rock song reached #4 on the Billboard chart and eventually went platinum for sales of one million singles. In recent years, Diamond revealed that he was inspired by a picture of President JFK's daughter, Caroline, riding a horse as a young child. In recent years, the song has become popular at sporting events, especially at the Boston Red Sox home games.

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An American orchestra leader and film composer, Hugo Montenegro is best known for his interpretations of the music from Spaghetti westerns, especially the cover version of the main theme from the 1966 film The Good, the Bad, and the Ugly. Originally composed by Ennio Morricone, Montenegro's version was his biggest pop hit in 1968, reaching #2 on the Billboard chart, #3 in Canada, and four weeks at #1 in the UK. Zoe loves this song, especially the whistling, and refers to it as "the cowboy song." This was also a favorite of my dad's, and our family had a joke about the lyrics, or what I suppose are lyrics. We called this song "Egg roll," because it sounded like a bunch of cowboys attempting to talk while eating a hot egg-roll. Seriously, what are they saying/grunting? Here's one of the most iconic scores in film history with clips from the classic movie.
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While Zoe does enjoy The Temptations' "My Girl," she is even more interested in the lesser-known cover version of the same song by The Mamas & The Papas. Originally written by Smokey Robinson and Ronald White, this tender interpretation was first heard on the group's 1967 album Deliver, and was later released as the B-side of "Do You Wanna Dance" in 1968, although it charted rather poorly. With a new, ascending vocal intro, this version is a textbook-example of The Mamas & The Papas' harmonious sound that can surely put a smile on anyone's face. Gotta love my kiddo's variety!

 Happy Birthday to my sweet 4-year-old!

Sunday, March 4, 2012

A Daydream Believer's Farewell

Well, sorry it took so long to get this post up; it's difficult to write when the topic is an unexpected, sad one. As I'm sure you've all heard by now, last week on February 29th, Davy Jones of The Monkees passed away at the age of 66, after suffering a massive heart attack. Like several generations of Monkees' fans, I am shocked and sadden to lose a wonderful '60s music icon. At 14 years old, The Monkees were the soundtrack of my life, and the cute, little British Davy was my first favorite, just adorable and full of life. There was something special about The Monkees, as we fell in love with these guys and their music through their innovative TV series. I think I speak for many fans that The Monkees' music and show remind us of the fun, innocent days of our childhood/teen years, so it's sad to see the death of someone that represented those sweet memories. Since I don't think I can add anything new that hasn't been mentioned already in the numerous, great articles from this past week (including a nice one here by NPR about how the group is long-overdue for induction into the Rock and Roll Hall of Fame), so here's a few of those hit songs sung by one of the world's favorite teen-idols.
Released in October 1967, "Daydream Believer" became The Monkees' third #1 hit single, topping the US charts for four weeks, and peaked at #5 in the UK. Written by John Stewart of The Kingston Trio, the original lyrics in the second stanza were "now you know how funky I can be," however, The Monkees changed "funky" to "happy." Unsure of the song's potential at first, Davy later admitted to having a hint of annoyance in his vocals while recording ongoing takes, which kind of slips through during the humorous opening (not usually played on the radio): "...don't get excited, man. It's 'cause I'm short, I know." This video is not meant to be taken too seriously as the guys are clearly goofing around with the instruments, you know, like Mike strumming the guitar through his tie and Micky passing his hand right through the middle of the tambourine. Gotta love Davy's groovy dance moves, just like he's ice staking!

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Written by Boyce & Hart for The Monkees, "Valleri" reached #3 on the US Billboard chart, #1 on Cash Box, and #12 in the UK. After being asked by Don Kirshner (The Monkees' music supervisor) to write a "girl's name song" to be used in the TV series, Tommy Boyce and Bobby Hart pretended over the phone that the song was already finished, however, they came up with the song on their way to Kirshner's office! In this video, this version of "Valleri" is actually the first version of the song and was only intended to be used in the TV show, not released as a single. However, after radio DJs made bootleg recordings of this tune (recording it directly of the TV), it began receiving quite a bit of radio airplay. By the end of 1967 when The Monkees won the right for complete creative control over their music production, they re-recorded "Valleri" to be included on their fifth album, adding a popping brass arrangement. As Davy "floats" above the band in this clip, pay no attention to the fact his tambourine part does not actually match the recording. :)

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And how about one more? Here's the Neil Diamond-penned "Look Out, Here Comes Tomorrow" from the 1967 album More of the Monkees.

Farewell, sweet Davy Jones. You'll always be one of our faves.

Wednesday, June 22, 2011

A Barrel Full of Monkees and Friends

American Response: Part 7
For regular readers of The '60s Beat, this is not the first time I've mentioned the fascinating story (see here) of how The Monkees began as a made-for-TV band, created as the American answer to The Beatles, pairing great music with zany antics like A Hard Day's Night. Assembled in 1966 by television producers Bob Rafelson and Bert Schneider (who later used "Monkees" money to produce films like Easy Rider), the quartet consisted of two actors (Davy Jones and Micky Dolenz) and two musicians (Michael Nesmith and Peter Tork) who eventually became a respected band in their own right, even outselling The Beatles. With the Emmy Award-winning TV series as the springboard for their music, their initial success was fueled by releasing hit songs by top songwriters, hand-picked by music supervisor Don Kirshner, "the man with the golden ear." When The Monkees began performing live and touring as a real band, they realized they wanted to write, record, and perform their own music, thus firing Kirshner (after some intense disagreements), and against all historical odds, the band continued to produce hit records. With diverse musical styles including pop rock, country rock, folk rock, bubblegum, psychedelic rock, soul/R&B, Broadway, even English music hall, The Monkees have sold over 50 million records worldwide (and counting) and are in the Guinness Book of World Records for having the most #1 albums in a single year (that's four #1 albums in 1967)! Here's their debut single and first #1 hit from September 1966, "Last Train to Clarksville," written by songwriting duo Boyce & Hart:

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Speaking of those top-notch songwriters, Boyce & Hart were a prolific singer-songwriter team that were the initial driving force behind The Monkees' sound. Meeting in 1959, Tommy Boyce and Bobby Hart formed a successful musical partnership that would go on to write more than 300 songs including TV show themes, film scores, and commercial jingles, and sold over 42 million records. In 1965, the duo wrote, produced, and performed the soundtrack for the pilot episode of The Monkees, even providing lead vocals (which were replaced when the show was cast), and were responsible for many of The Monkees' hits including "Last Train to Clarksville," "(I'm Not Your) Steppin' Stone," "Valleri," Words," "I Wanna Be Free," and of course the "(Theme from) The Monkees." Simultaneously, Boyce & Hart had a successful career as recording artists with five charting singles, including "I Wonder What She's Doing Tonight," which reached #8 on the Billboard charts in 1968. Introduced by Herb Alpert, here's the classic song that earned the duo a gold disc (gotta love the velvet suits!):

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Another one of those notable singer-songwriters was pop music performer Neil Diamond, the third most successful Adult Contemporary artist of all time (behind only Barbara Streisand and Elton John), selling over 115 million records worldwide. From Brooklyn, New York (and apparently a classmate of my husband's uncle!), Diamond spend his early career in the 1960s as a songwriter, gaining fame when The Monkees scored a #1 hit with his song "I'm a Believer" (the Popular Song of the Year in 1966). Also released in 1966 was "Solitary Man," his debut single as a recording artist, and although it was only a minor hit, it did peak at #21 on the charts after its re-release in 1970 (even becoming a hit for other artists as well across five decades). Diamond went on to score hits in the '60s, '70s, and '80s, and was recently inducted into the Rock and Roll Hall of Fame (yes, I voted for him!). This video is a bit on the jiggly side but there's no mistaking the distinct voice of a young Neil Diamond, singing one great tune!

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American singer-songwriter Harry Nilsson also gained more attention in the music business when The Monkees recorded and featured his music in their TV show and film ("Cuddly Toy" and "Daddy's Song"). An impressive vocalist with a natural talent for writing wonderful melodies, Nilsson became The Beatles' favorite American artist upon hearing his 1967 album Pandemonium Shadow Show. Ironically, the song Nilsson is most known for is one he did not write. Written by Fred Neil, "Everybody's Talkin'" helped Nilsson achieve global success in 1969, as it was also used as the theme for the film Midnight Cowboy, and it earned him his first Grammy Award. Propelling him into stardom, Nilsson would go on to have his biggest commercial success in the early 1970s, winning another Grammy. I'll definitely have to share some of his fantastic, original songs on another post, but here's his performance of his biggest hit; a song everyone could relate to during the turbulent times of the late '60s.

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Although The Monkees were influential as the first band in history to fight and win creative control over their music, Don Kirshner does go down in history as kind of getting a bum rap. After all, he was a business man and knew how to find a hit-worthy song. In the late 1960s, Kirshner's next endeavor involved producing another fictitious band, The Archies, however, this time they were animated (and couldn't talk back!). With all the male vocals provided by studio musician Ron Dante, the animated garage band scored a #1 hit with "Sugar, Sugar" in the summer of 1969, selling six million records and was ranked Billboard's number one song of the year (the only time a fictional band has ever claimed that spot). Written by Andy Kim and Jeff Barry, a rumor still circulates that this song was first offered to The Monkees, which Kirshner claimed Mike Nesmith put his fist through a wall refusing to take it (the wall-punching part is true but the song is still in question). Regardless, Kirshner knew this would be a big hit, and in fact, "Sugar Sugar" is one of the biggest bubblegum hits of all time, in both the U.S. and the UK. Notice Ron Dante's is "playing" all the instruments in this video: