Showing posts with label Young Rascals. Show all posts
Showing posts with label Young Rascals. Show all posts

Tuesday, December 18, 2012

Happy 3rd Birthday!

Sorry for the lack of posts around here. Life has been busy and full of fun but has not allowed much time for the blogosphere. I have many posts planned but most them will have to wait until the new year. By the way, if you've been dying to hear some classic Christmas tunes, be sure to check out last year's Christmas posts here.

 So today is my daugher's birthday. Three years ago, Zoe arrived one week before Christmas, what a nice present! She is hilarious and loves music, especially the tunes from the 1960s (although this could have something do with the fact her mother usually plays the '60s station in the car!). In honor of her birthday (and while she's napping), I thought I'd post all of her favorite songs. She regularly requests these songs by name. I have no idea what drew her to this particular set of songs, but I think you'll appreciate them, too. (Since most of these tunes have been previously featured at The '60s Beat, I'll try to find different videos for each song).

Whenever Zoe thinks it's "the all-request hour" in the car, she'll first ask to hear "I Love the Flower Girl," also known as "The Rain, The Park, And Other Things" by The Cowsills. This multi-million selling single was #2 hit in 1967 for the popular family group, and it's no wonder why my kiddo loves this happy tune. This playful footage of the Cowsills family riding the miniature train looks like something my daughter would love to do. 
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 Every time Sonny & Cher's signature song plays on the radio, my daughter excitedly shouts, "It's 'I Got You, Babe!'" Written and produced by Sonny Bono, this tune became one of her first favorites nearly a year ago; I guess the repetitive chorus stood out to her. Back in the 1965, looks like the charts would agree with Zoe, as this song reached #1 in the US and UK. This performance of the husband and wife vocal duo comes from The Beat Club, a German music program.



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 The Turtles' "Happy Together" is a newer favorite for my daughter, and she can actually sing the chorus pretty well, the descending arpeggio and all ("I can't see me..."). I discovered that she liked this song when I noticed her singing it to her stuffed animals one day. Released on Valentine's Day in 1967, this quintessential '60s song was also a #1 hit, staying at the top of the US chart for 3 weeks. Zoe refers to this one as "Happy Dugeder." 

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Now this next favorite of Zoe's comes as quite a surprise. With a title like "I Love You," you'd expect this Zombies' song to have a cheery tune, however, it is actually in a minor key, giving it a darker sound. Written by bassist Christ White, this British single was released in 1965 but failed to make the US chart, although it was quite popular in the Philippines. Three years later, the Californian group People! scored a big hit with their cover version of "I Love You," making them a one-hit wonder. It was so random hearing my daughter as a young 2-year-old regularly requesting to hear this one!

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I recently let Zoe watch a few episode of The Monkees TV show and she was totally into it! Right now, her favorite Monkees' song is "Tomorrow's Gonna Be Another Day," from the group's debut, #1 hit album in 1966. Like another one of their infamous tunes, the chorus in this song includes a few "hey, hey, hey's," which has my daughter laughing every time; she actually thinks the name of this song is "Hey, Hey, Hey." Here's a typical Monkees romp from the first season of the show; Zoe loves it.

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 Finally, I'll end today's post with a final #1 hit, "Good Lovin'" by The Young Rascals. The backing vocals shouting "good lovin'" are what caught Zoe's attention, and she repeats the lyrics as "due lub!" Released in 1966, this high-energy tune is also great for dancing; what 3-year-old doesn't like dancing, anyway? Here's a great live performance by the blue-eyed soul group on The Ed Sullivan Show. 

Happy Birthday to my baby!

Thursday, September 20, 2012

People Got to Be Free

Protest Songs/Message Music: Part 2

Today's first protest song comes from one of our favorite roots rock bands Creedence Clearwater Revival, known for their dedication to homegrown American music. Released in September 1969, CCR released "Fortunate Son," a double A-sided single with "Down on the Corner," and first reached #14 on the US chart the week before Billboard changed its methodology on double-sided hits. Eventually, this track and its reverse side combined peaked at #3 by the end of the year, and ["Fortunate Son"] has since been ranked #99 on Rolling Stones' list of the "500 Greatest Songs of All Time."  This roots/blues rock song was popular during the Vietnam War and is included in several Vietnam films and video games. Written and produced by lead singer John Fogerty, it is the perspective of a man who is being drafted who is not "fortunate" enough to be the son of a Senator or a millionaire. Featured on The Ed Sullivan Show, here's an excellent live performance that sounds just like the recording! 
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Before the dissolution of The Beatles, John Lennon and Yoko Ono formed a conceptual supergroup in 1969 called the Plastic Ono Band with various members including Eric Clapton (guitarist on the left in this clip), artist Klaus Voormann, future Yes drummer Alan White, and The Who's drummer Keith Moon, among others.Written by Lennon and recorded during his 'Bed-In' honeymoon, "Give Peace a Chance" was released in July of 1969 as his first solo single while still a member of The Beatles. Peaking at #2 in the UK and #14 in the US, this song quickly became the anthem of the anti-Vietnam War movement, and is one of Lennon's most famous songs to be included on the Rock & Roll Hall of Fame's list of the 500 Songs that Shaped Rock and Roll. Credited to the Plastic Ono Band (an identity to describe works by Lennon and Ono and anyone else who happened to be performing with them), here's a live performance in Toronto in '69, which supposedly gave Lennon the confidence to tell the other Beatles a few days later that he was leaving the band.
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Often referred to as the "British Bob Dylan," Scottish singer-songwriter Donovan covered this next protest song in the mid-60s. Originally written and recorded by Canadian singer-songwriter Buffy Sainte-Marie in 1964, "Universal Soldier" didn't gain much attention until the budding folk singer Donovan recorded his version and released it as a single in August of 1965, reaching #5 on the UK charts. Sainte-Marie said this folk song was about "individual responsibility for war and how the old feudal thinking kills us all." Since, this tune has been recorded by several other artists including The Highwaymen, Glen Campbell, Joan Baez, and Phil Ochs, as well as several foreign singers. Performing before a captive audience, here's Donovan's version of the consummate anti-war song.
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We'll conclude today's post with an upbeat one by American blue-eyed soul group The Rascals (initially know as The Young Rascals). Becoming a big hit in the turbulent summer of 1968, "People Got to Be Free" spent five weeks at #1 in the US, as well as reaching #14 on the Billboard Black Singles chart, and eventually sold 4 million copies. Written by group members Felix Cavaliere and Eddie Brigati, this horn-punctuated plea for tolerance and freedom struck a particular chord in the wake of the assassinations of Martin Luther King Jr and Sen. Robert F. Kennedy. After the release of this song, The Rascals refused to tour on segregated bills, and if an African American act was not included at their concerts, the group would cancel several shows in protest. With Cavaliere on lead vocals and rock organ, here's another dynamic live performance by The Rascals in 1969.

Tuesday, September 27, 2011

Groovin'

Flower Power: Part 7 (Final)
One of the ultimate Flower Power songs would be The Beatles' "All You Need Is Love," but since that love anthem was already featured here, we'll take a look at another Beatles' song, a classic of psychedelia. Written mainly by John Lennon (credited to Lennon/McCartney), "Lucy in the Sky with Diamonds" comes from biggest-selling album of the 1960s, Sgt. Pepper's Lonely Hearts Club Band. After its release at the beginning of the Summer of Love in June 1967, the BBC banned this song suspecting its title was referencing drugs (LSD), however, Lennon always denied that claim. Lennon's son, Julian, had inspired the song with a drawing of his school-friend Lucy, floating "in the sky with diamonds." The lyrics are a surreal and lavish daydream, accompanied by a complicated arrangement featuring a tamboura (stringed instrument) played by George Harrison, and a counter melody on organ by McCartney. In 1974, Elton John released a cover version of this tune (discreetly featuring John Lennon on backup vocals and guitar), and it is the only Beatles cover song to reach #1 on the Billboard chart. From The Beatles' 1968 animated feature film Yellow Submarine, here's "Lucy in the Sky with Diamond."

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Next up, this light-hearted, groovy tune comes from the classic American folk duo, Simon & Garfunkel. About the Queensboro Bridge in New York City, "The 59th Street Bridge Song (Feelin' Groovy)" comes from their third album Parsley, Sage, Rosemary and Thyme released in October 1966, which reached #4 on the album charts and is considered on of the greatest albums of all time (I even recently purchased it at a used record store!). Written by Paul Simon and featuring musicians from the Dave Brubeck Quartet, the message of this folk rock song is delivered right in the first verse of the song: "Slow down, you move too fast." A popular cover version was recorded by Harpers Bizarre the following year, making it into sunshine pop arrangement. From the Smothers Bros. Comedy Hour, here's Simon & Garfunkel, with a little "accompaniment" by Tommy and Dick Smothers.
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Known for venturing into a wide variety of musical genres, Scottish singer-songwriter Donovan was one of the first British pop musicians to adopt a flower power image. Influenced by US West Coast bands (like Jefferson Airplane and The Grateful Dead), he recorded one of the first examples of psychedelia at Abbey Road Studios in January of 1966. Released later that summer in the U.S., "Sunshine Superman" was a psychedelic folk song that reached #1 on the US Billboard charts (#2 in the UK), selling over 800,000 copies in just the first six weeks, eventually earning a gold disc. Written for his future wife, Donovan's lyrics mention two DC Comics superheroes, Green Lantern in addition to Superman. The eclectic arrangement was quite innovative with the prominent use of the harpsichord and sitar, combined with a funky, conga-like back-beat. Described as " the quintessential bright summer sing along," here's a Donovan classic.

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And for our final band of Flower Power Month, it's American blue-eyed soul group from New Jersey, The Young Rascals. These guys found themselves with one of their biggest hits at the beginning of the Summer of Love when "Groovin'" spend four weeks at #1 on the charts in May of '67, earning a certified gold record by June. Written by group members Felix Cavaliere and Eddie Brigati with lead vocals by Cavaliere, this classic tune is a slow, relaxed groove and has become one of the group's signature songs. Based on Cavaliere's newfound interest in Afro-Cuban music, the instrumentation features a conga, harmonica, and a Cuban-style bass line. Resulting in a different sound from The Rascals' white-soul origins, the head of their record label originally did not the song released, however, the song (and the group) proved to have crossover appeal when "Groovin'" hit #3 on the Billboard Black Songs chart. Considered one of the 500 Songs that Shaped Rock and Roll (by Rock and Roll Hall of Fame), it is also a recipient of a Grammy Hall of Fame Award. Great tune, but to be honest, as a kid, I always misheard the line, "life would be ecstasy, you and me endlessly" as "you and me and Lesley!" (wait, who the heck is Lesley?).
 

If you enjoyed Flower Power Week, be sure to revisit some past posts featuring other Flower Power-type songs such as The Turtles' "Happy Together", The Mamas & The Papas' "California Dreamin'" and The Byrds' "Turn! Turn! Turn!" both featured here, and Procol Harum' "A Whiter Shade of Pale".

Wednesday, June 1, 2011

Happy Together

The American Response: Part 4

Well, you can't get much more American than Paul Revere & the Raiders, a rock band that formed in 1960 from Boise, Idaho. With Paul Revere as the rockin' keyboardist and Mark Lindsey singing lead vocals, these guys first started out playing garage rock at teen dances. Under the guidance of producer Terry Melcher, the guys relocated to L.A. in 1965 and began recording music that mixed the sounds of the British Invasion bands with an American, R&B feel. Gaining considerable mainstream success through national TV appearances as regulars on Dick Clark's Where the Action Is, they were presented as America's response to the British Invasion wearing American Revolutionary War uniforms, however, fellow West Coast bands and the counterculture youth were not fans. Released in March 1966, one of their biggest hits was "Kicks," an anti-drug song by songwriting team Barry Mann and Cynthia Weil, originally written for The Animals (who turned it down). Reaching the #4 position on the charts, this garage rock tune is now among the 500 Greatest Songs of All Time. Apologies for the watermark but I loved the color footage.


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The Turtles first began as a surf-rock group in Westchester, California (west L.A.), formed by Howard Kaylan and Mark Volman in 1965, however, following a popular musical trend at time, they re-branded themselves as a folk rock group. Like The Byrds, The Turtles achieved breakthrough success with a Bob Dylan cover ("It Ain't Me Babe") in late '65, but it wasn't until 1967 that the group gained the most chart success. Released in February '67, "Happy Together" knocked The Beatles' "Penny Lane" out of the #1 position on the charts, and has since become the group's signature song. This tune had actually been rejected a dozen times before it was offered to The Turtles, and with their bassist Chip Douglas providing the arrangement (who soon after became the producer for The Monkees), this folk rock/psychedelic rock/pop rock song has been used in many films, TV shows, and commercials. With over five million plays on American radio, it ranks as one of the most performed songs in the US of the 20th century, placing it in the same league as The Beatles' "Yesterday" and Simon & Garfunkel's "Mrs. Robinson." This will always be one of my favorites (though some of the non-Turtle clips in this video were definitely added in 1980s, probably re-edited for playtime during MTV's early years).

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From Niles, Michigan, the rock band Tommy James & the Shondells formed in 1959 when lead singer/guitarist Tommy James was just 12 years old (first known as Tom & the Tornadoes). Officially changing to the Shondells in 1964, the group had a big local hit with "Hanky Panky," but after they did not break into the national market, they disbanded after high school graduation. When a Pittsburgh radio station unearthed the forgotten single, Tommy James reformed with a new group of Shondells and went on to have many successful hits, ranging from garage rock, psychedelic rock, and bubblegum (which he hated). Released in February of 1968, "Mony Mony" reached #3 on the US charts and went to #1 in the UK, their only song to even reach the Top-20 across the Atlantic. The song's title was inspired by a sign for Mutual of New York just outside James' apartment window in NYC. Later embracing the sounds of psychedelia (like "Crimsom and Clover"), the group was even invited to perform at the Woodstock concert, but they declined. Here's another rockin' song by Tommy James & the Shondells.

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From Garfield, New Jersey, The Young Rascals were a blue-eyed soul/pop rock band that released numerous Top-10 singles in their career from 1965 through 1972. They first gained modest success after they performed their debut single ("I Ain't Gonna Eat My Heart Out Anymore") on the TV program Hullabaloo in 1965, but it wasn't until they released "Good Lovin'" in February of '66 that they really made a name for themselves. Becoming the first of three #1 hits for The Young Rascals, this mixture of garage rock and white soul, as well as their variety of hits to come, had a big impact on aspiring R&B-flavored, white acts. With its high-energy instrumentation, call-and-response vocals from lead singer/organist Felix Cavaliere and the band, and a complete false ending (popular at the time), "Good Lovin'" has since become labeled as one of the 500 Songs that Shaped Rock and Roll and is among the 500 Greatest Songs of All Time. Oh and if you ever notice another group from the 1960s simply called The Rascals, they're the same guys; the band dropped the "Young" part of their name in early 1968. Another great live performance from the Ed Sullivan Show!