Novelty Songs: Part 2
Since this blog is nearly turning into an obituary site for rockers, let's liven things up a bit with classic novelty songs! Last summer, I made a "Silly Songs" playlist for my kiddo and it was a huge hit. And in case you were wondering when Part 1 was posted, it was a special Father's Day post from my first year blogging here, a real hoot. Now onto more hilarious tunes from the back of your memory banks!
Best remembered for originating the Harold Hill role in the musical The Music Man, American stage and film actor Robert Preston was asked to make a recording as part of a program by the President's Council on Physical Fitness in 1961 to get schoolkids to do more daily exercise. The song, "Chicken Fat" (also known as "The Youth Fitness Song"), which was written and composed by Meredith Willson
and performed by Preston with full orchestral accompaniment, was
distributed to schools across the nation for free and played for students in
calisthenics every morning. Willson and Preston volunteered their services on the project, while Capitol Records,
which produced and distributed three million copies of the LP, paid for the backup musicians, studio time, and production and
distribution. The song later became a surprise novelty hit was widely used in schools in the 1960s and 1970s. "Go, you chicken fat, go!" Can they please bring this back to gym class?!!
A trio of cousins from New Jersey, The Ran-Dells scored a one-hit wonder novelty song in 1963 with "Martian Hop," which reached #16 on the Billboard chart. At an era when pop culture was saturated with the beginning of the Space Age, the song is a product of impromptu beach jam sessions when the three band members joked around about Martians throwing a dance party for "all the human race." Though the Ran-Dells have been recognized for innovative and pioneering use of a sine wave generator
(a first for the pop music genre), the 12-second introduction at the beginning of
the song is an uncredited sample from the first 30 seconds of "Moon
Maid" by Tom Dissevelt and Dick Raaymakers from their 1962 experimental album, one year before "Martian Hop" (check it out here).
A successful pop singer and actor in the late 50s and early 60s, Pat Boone had 38 Top-40 hits and still holds the Billboard record for spending 220 consecutive weeks on the charts with one or more songs each week. In 1962, Boone found a hit with novelty tune with a cover of "Speedy Gonzales" about the "fastest mouse in all Mexico." The Boone version peaked at the #6 on the Billboard chart during a total chart run of 13 weeks, doing better in
many national charts in Europe, where it sold a million copies.The female voice ("La-la-la...") on this song was of session singer Robin Ward (Elton John stated that the "hook" in his best-selling single "Crocodile Rock" was inspired by his listening to Ward's vocal on "Speedy Gonzales"). This song also incorporated Mel Blanc voicing Speedy Gonzales as he did in the Warner Brothers cartoons.
------------------------------------------------------------------------------------------------------------------------- American folk singer and songwriter Tom Glazer found his greatest commercial success with his original 1963 recording of the song parody "On Top of Spaghetti" based on the "On Top of Old Smoky," which he recorded with the Do-Re-Mi Children's Chorus. It is the tale of a meatball
that was lost when "somebody sneezed," and discusses what happened
to the meatball after it fell off of a pile of spaghetti and rolled
away. Call and response songs are always a hit with the kids!
Although definitely not a one-hit wonder, American soul music singer and songwriter Shirley Ellis capitalized on her novelty hits like "The Clapping Song" (previously featured here during our Dance Craze post) and "The Name Game." Written by Ellis with Lincoln Chase and recorded in late 1964, this record went to #3 on the Billboard chart and #4 on the R&B charts in 1965. With lyrics featuring a rhyming game that creates variations on a person's name, Ellis performed this novelty hit on the major television programs of the day, including Hullabaloo, American Bandstand and The Merv Griffin Show. The song later became a popular children's singalong.
Known as the King of Skiffle, Scottish singer-songwriter Lonnie Donegan was probably Britain's most successful and influential recording artist before The Beatles, with 31 Top-30 UK hits, 24 being successive and three at #1. He scored his biggest US hit with the novelty song, "Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?" first hitting #3 on the UK chart in 1959 and then peaking #5 on the US chart in 1961. The song is a cover version of "Does The Spearmint Lose Its Flavor on the Bedpost Overnight?" first released in 1924 by The Happiness Boys. The title and lyrics of the Donegan version were changed in the UK because "Spearmint" is a registered trademarkthere, and the BBC would not play songs that mentioned trademarks.
American country music singer-songwriter Roger Miller is best-known for his chart-topping country pop hits and honky-tonk-influenced novelty songs. In fact, I enjoy this novelty tunes so much, I couldn't pick just one! From his classic 1965 album The Return of Roger Miller, two singles were released including his biggest hit "King of the Road" (previously featured during our Country Crossovers posts here) and this novelty hit "(And You Had a) Do-Wacka-Do" (#15 on the country chart and #31 on the Billboard chart). The expression "do-wacka-do" is a funny way of saying "do-like-I-do," and the song itself expresses envy in a humorous way. Here's great live footage of this classic.
And the other novelty tune I couldn't leave out is this other Roger Miller gem that my kid adores too.
From the same album, the track "You Can't Roller Skate in a Buffalo Herd" was later released as a single in 1966. This wacky tune was actually Miller's favorite song that he wrote. Here's a live performance for a bit later, Miller still sounding great. Not that the lyrics are meant to make sense,, but the part where "you can't change film with a kid on your back" is an especially mind-boggling line for the youngsters these days! Haha.
Once again, blog posting has come to a halt as my free evenings have been spent tuned into the Olympics on TV! The amazing athleticism aside, I've really enjoyed seeing footage from around London and I'm reminded what a fun and beautiful city it is. I had the privilege of visiting London four summers ago and I still can't wait to go back someday. During the 1960s, "Swinging London" was a catch-all term that applied to the fashion and cultural scene that flourished in this city, and of course music of the "British Invasion" (from America's perspective) was well underway.
Anyway, I thought I'd do a quick post with songs about London, as these tunes have been playing through my head as I've watchd the Olympics (if you were hoping this post was going to be all about the British Invasion, you'll just have to check out those previous posts here).
The song that presents the most stereotypical picture of England at this time was "England Swings (Like a Pendulum Do)" by American country singer Roger Miller. Written by Miller and released as a single in 1965, this catchy, little ditty reached #3 on the country chart, #8 on the US pop chart, and #13 in the UK. If you're interested in seeing this song get a go-go booted makeover, there's a funny version by Patty Duke here. Anyway, looks like I'll be hearing "Bobbies, two by two" in my head the next time I watch the Olympics. Sorry, no live performance footage of this song.
------------------------------------------------------------------------------------------------------------------------- Released in late 1965, this next song comes from Donovan's second album, Fairytale, where he developed his British folk sound. His "Sunny Goodge Street" foreshadows the jazzy feel and descriptions of life in urban London, which Donovan would explore further in the following years. And what do ya know, Goodge Street is an actual location in Central London around the corner from the British Museum, as pictured in this tube station signage. So here's some nice live footage with that soothing voice of the Scottish singer-songwriter doing what he does best.
This next "London" tune is classic one that you rarely hear on the oldies radio stations these days (maybe only on Sirius XM). From Los Angeles, The Rose Garden was an American folk rock musical group that formed in 1967. Although very short-lived, they did enjoy one hit single with "Next Plane to London," which reached #17 on the US Billboard chart at the end of '67. Complete with pleasant lead vocals by Diana DeRose, here's another wonderful tune from this bygone era of Sunshine Pop!
And of course, it's kind of silly to have a post with songs about London and not include London's anthem. We all know I love "Waterloo Sunset" by The Kinks so much that it was already featured it in it's own post last summer (if you missed it, check out the details here). And since it's that good, I'll post it again here. This time, I'll use a video that includes photos of those lovely sites around this marvelous city. From the 1967 album Something Else by The Kinks (one of my favorites in my record collection), here's that good ol' "Waterloo Sunset."
Country Crossovers: Part 1
Alright, folks, time for something completely different! Finally, we're going to talk about that purely American music called Country. And more specifically, those country songs that crossed-over from the US Billboard country charts into the pop charts. Even if you're more of a pop/rock person yourself, you still might enjoy hearing these classics that your parents (or maybe even your grandparents) likely listened to.
Of course we must begin with American singer-songwriter Johnny Cash, one of the most influential musicians in the 20th century. With songs and sound spanning many genres including country, rockabilly, rock n roll, blues, folk, and gospel, "The Man In Black" obviously had great crossover appeal, and is known for his distinctive bass-baritone voice. Originating from Arkansas, his music represented his life, echoing themes of sorrow, moral tribulation, and redemption. Released in April of 1963, one of his many signature songs is "Ring of Fire," co-written by June Carter (Cash's future wife) and Merle Kilgore (although Cash's first wife at the time claims that Cash himself co-wrote the song and gave Carter the song-writing credit because "she needed the money"). With its mariachi-style trumpet accompaniment, this tune became the biggest hit of his career, staying at #1 on the country charts for 7 weeks and reached #17 on the pop chart. Nice to see the often somber yet humble Johnny enjoying this live performance.
------------------------------------------------------------------------------------------------ Also from Arkansas, the songs of country music singer and guitarist Glen Campbell have been in the country chart over 74 times, with 27 of those singles reaching the Top-10. First establishing his career as an in-demand session guitarist in the '60s, playing on numerous hits with "the Wrecking Crew" (you know, that elite group of session musicians that played on recordings for The Beach Boys, The Byrds, The Mamas & The Papas, The 5th Dimension, Nat King Cole, etc!), Campbell became a solo artist in the late '60s and made history by winning four Grammy Awards in both country and pop categories in 1967. In the same year when he received Country Music Awards' top honor as 1968 Entertainer of the Year, he released one of his biggest hits, "Wichita Lineman," written by Jimmy Webb (who also wrote "Up, Up and Away" and "MacArthur Park"). Referred to as "the first existential country song," it topped the country chart and reached #3 on the US pop chart, becoming certified Gold by January '69, and is now among those 500 Greatest Songs of All Time. Due to his current Alzheimer's diagnosis, there was a nice tribute to Campbell at the 2012 Grammy Awards last month, and I thought he sounded great singing his "farewell" (it was quite touching seeing the whole audience singing "Rhinestone Cowboy" along with him). Anyway, here's that beauty of a song, "Wichita Lineman," performed by all-American Glen Campbell in December 1968.
------------------------------------------------------------------------------------------------ As an American country music singer who was successful in pop music crossovers during the early '60s era of the Nashville Sound, Patsy Cline is one of the most influential and acclaimed female vocalists of the 20th century. Known for her bold contralto voice, she was a pioneer in the country music industry, and is viewed by some as an icon similar to legends Johnny Cash and Elvis Presley, often voted as one of the greatest singers of all time. A follow-up to her hit "I Fall to Pieces," her 1961 single "Crazy" reached #2 on the country chart and #9 on the pop charts by early '62, becoming one of her signature tunes. Written by then-unknown Willie Nelson, this beautiful ballad with its complex melody suited Cline's vocal talent perfectly, and is also listed among the 500 Greatest Songs of All Time. In this clip, she is wearing a headband to cover up the scars on her forehead from a life-threatening car accident she had been involved in earlier that year. Sadly, while at the height of career, she died in a private plane crash in 1963 at the age of 30. Another beauty taken too soon.
------------------------------------------------------------------------------------------------- We'll conclude this post with American singer-songwriter and actor Roger Miller, best known for his honky tonk-influenced novelty songs during the mid-1960s Nashville Sound era. After serving in the US Army, he began his music career as a popular songwriter in the late 1950s, and reached peak success as a recording artist in the late '60s. Released in January 1965, "King of the Road" was a chart-topping country hit for Miller and became a highly popular crossover record, reaching #4 on the Billboard pop chart. Selling a million copies by that May, it won him numerous awards and earned him a royalty check worth $160,000 that summer. The humorous lyrics tell a story of a hobo who enjoys his freedom as a "king of the road." (For the younger kiddos like me, you may recognize Miller's voice from Walt Disney's 1973 animated film Robin Hood as the "whistling" Rooster character). Here's fun footage of Miller playing with Johnny Cash on the latter's TV show.
American folk singer and songwriter Tom Glazer found his greatest commercial success with his original 1963 recording of the song parody "On Top of Spaghetti" based on the "On Top of Old Smoky," which he recorded with the Do-Re-Mi Children's Chorus. It is the tale of a meatball
that was lost when "somebody sneezed," and discusses what happened
to the meatball after it fell off of a pile of spaghetti and rolled
away. Call and response songs are always a hit with the kids!
