Showing posts with label Cream. Show all posts
Showing posts with label Cream. Show all posts

Tuesday, January 6, 2015

Batgirl's Playlist

Last month, we celebrated my 5-year-old's birthday with a Batgirl party! Continuing with the tradition, here's another full post of Zoe's current favorite tune. Like her mama, my little Batgirl loves the classic stuff, and I'm sure you will appreciate her selection as well!



So most of you guys know we moved to Virginia last year, but I don't think I've mentioned that we're already back in Southern California (thanks to military life)! During our East Coast stint, this Batgirl enjoyed identifying with her roots as a California Girl and regularly requested this Beach Boys standard. A #3 summer hit in 1965, gotta love The Beach Boys performing "California Girls" on The Jack Benny Show, the ultimate "California Sound" from the 1960s.

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And while on the subject of California, she (and me too) also found a whole new appreciation for this classic, especially after experiencing a chilly winter in Virginia. The Mamas & The Papas convey that feeling of longing for the California warmth all too well in this beauty, and my kid perked up every time it came on the radio. Peaking at #4 on the US chart in '65, "California Dreamin'" is truly one of the greatest songs of all time (classic performance on Hullabaloo).

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 While there are quite a few Manfred Mann tunes that Zoe loves like the hilarious "My Name Is Jack" and the catchy "Do Wah Diddy Diddy," this minor US hit really caught her attention. Released in spring of 1966, "Pretty Flamingo" reached #1 in the UK (#29 in the US) and features future Cream bassist Jack Bruce, who briefly joined the band in '65. Thank goodness for satellite radio (the '60s on 6 channel) which introduced us to this gem!

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And now for something completely different, here's a little something from American country music singer Sonny James. Originally an instrumental by British guitarist Bert Weedon, the 1954 American western film Apache was the inspiration for this tune. Referred to as the "Indian song" by my kiddo (yeah, sorry, not political correct), here's Sonny James' 1961 version of "Apache." (Love The Ventures' cover too!)


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 Well, here's a cute ditty that Zoe loves to bop around to. Seriously, what youngster wouldn't like a gum-smacking tune like "Sweet Pea?" Written and performed by American pop music singer-songwriter Tommy Roe, "Sweet Pea" reached #8 on the Billboard chart and #1 in Canada in 1966. Singing with a young girl from Santa Monica in '67, here's a cute video of the innocent days of yesteryear.

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Now here's a real hoot: a little psychedelic made this playlist! I'll never forget hearing this tune come on the radio while driving in the car and Zoe was immediately interested, asking to hear it again. Reaching #11 in 1967, here's The Electric Prunes performing their psychedelic rocker "I Had Too Much to Dream (Last Night)" on American Bandstand. Can't say I've seen a garage band with an autoharp before. Gotta appreciate this kid's variety!

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Here's another catchy tune that Zoe loved belting out in the car this past year (notice we're always listening to music in the car?!). British sweetheart Petula Clark had a huge international hit in 1964 when "Downtown" reached in #1 in the US and #2 in the UK. What a classic song by a lovely singer. Enough said.

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Being familiar with fairy tales, this Batgirl loves this garage rock song by Sam the Sham & The Pharaohs. "Lil' Red Riding Hood" was the group's second Top-10 hit, reaching #2 on the Billboard chart and in Canada. It might be the wolf howls, but I was a sucker for this classic tune at her age too. Excited I finally found footage of a performance but too bad the audio is out of sync.
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 Next up is an English beat group that always sounds like they're having a great time. Written by Cat Stevens (ya learn something new every day!), The Tremeloes' cover version of "Here Comes My Baby" reached #4 in the US and #13 in the US in 1967. Zoe insists that her dad and his Marine buddies sang this song to her as a baby. Cute story, but we'll give all the credit to this spunky group. Love their energy in this live performance! (And check out Cat Stevens' original version here with a bit of a baroque pop sound).

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 Now can't forgot this totally groovy tune: "Crimson and Clover" by Tommy James & The Shondells. Written by frontman James and drummer Peter Lucia Jr, this psychedelic pop tune reached #1 on the charts after its release in late 1969, selling 5 million copies. Batgirl can't get enough of the super-cool tremolo effect on the vocals at the end of the song, however, I haven't shown her this little creepy performance from The Ed Sullivan Show. 
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And the most recent song added to Batgirl's playist is The Monkees' garage rock tune "(I'm Not Your) Steppin' Stone." Written by Tommy Boyce & Bobby Hart, it was first recorded by Paul Revere & The Raiders, but with the help of The Monkees TV series, this B-side single made it to #20 the charts in 1966. Sometimes all it takes is a simple lyric like "I-I-I-I-I'm not your steppin' stone" to get a kid bouncing. Such a blast from the past getting to watch this groovy show with my kiddo!

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And finally, in honor of my Batgirl's birthday, here's the opening credits to the campy but classic Batman TV series, which included Yvonne Craig as Batgirl in Season 3 in 1967/'68. We totally had this footage playing in the background at Zoe's party, what a blast! Composed by Neal Hefti and using a guitar hook similar to spy film scores and surf music, this classic tune continues to be one of the most recognizable of TV themes.

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Happy Birthday to my groovy, 5-year-old Batgirl!

Tuesday, October 28, 2014

Farewell to THE Bassist

This week, we lost one of the greatest bassists of all time: Jack Bruce. Known primarily as a member of the British power trio Cream, Bruce was an innovative multi-instrumentalist, combining blues, rock, and jazz music. A classically trained cellist (with a scholarship to the Royal Scottish Academy of Music) who learned jazz as a teenager, he performed with several bands including John Mayall & The Bluesbreaker (where he met Eric Clapton) and Manfred Mann, eventually forming Cream with Clapton and drummer Ginger Baker. Gaining international recognition playing blues-rock and jazz-inflected rock music, Bruce sang most of the lead vocals, with Clapton backing him up (who eventually sang lead himself). Before breaking up in 1968, Bruce co-wrote most of Cream's single releases with lyricist Pete Brown, including the hits "Sunshine of Your Love," "White Room" (previously featured here) and "I Feel Free." In addition to solo albums, collaborative efforts with musicians continued as a theme of Bruce's career. The Scottish musician died of liver disease on October 25th at the age of 71.

Released in December 1966, "I Feel Free" was the first song recorded by Cream and their second hit single, reaching #11 in the UK. Written by Bruce (with lyrics by Pete Brown), this classic tune showcases the band's musical diversity, effectively combining blues rock with psychedelic pop.


Written by Bruce and Brown with Clapton, "Sunshine of Your Love" was released as a single in January 1968, becoming Cream's only gold-selling single in the US. Featuring Bruce's distinctive bass riff and Clapton's iconic guitar solo, it reached #5 in the America and #25 in the UK. After Bruce and Clapton attended a Jimi Hendrix Experience concert in London, Bruce returned home and wrote the riff that runs throughout the song. Clapton later wrote the song's refrain (which also yielded the song's title) and drummer Ginger Baker came up with the song's temp, which was based on African drumming. Ranked among Rolling Stones' 500 Greatest Songs of All Time, be sure to also check out the famous live performance of Cream's Farewell concert at the Royal Albert Hall in 1968 (here).

Farewell to incomparable Jack Bruce.

Sunday, January 1, 2012

Hello World

Happy New Year!!
We're starting bright and early (12:01am PST) with a post of "Hello" songs to greet 2012!
First introduced here during the British Invasion Series, The Tremeloes are the other "beat" band from Liverpool, who were heavily influenced by Buddy Holly & TheCrickets. Like The Beatles, each member of the group was a strong singer, and they combined rock and roll with several other styles of music. Having a successful career in their native UK with nine Top-20 hits, their songs were more popular among young music fans and their parents rather than rock music fans. Released in 1969, "Hello World" is a fun one that reached #14 on the UK charts, featured in this live performance from 1970 (including "My Little Lady" and "Here Comes My Baby").
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So I just recently discovered this San Francisco group (thanks again, Uncle Bill!), and I can't believe I'd been missing out on this delightful music. Sopwith Camel is one of the first "psychedelic" rock bands to get a recording contract with a national record label, however, their "old-timey" sound was more reminiscent of the early songs of The Lovin' Spoonful rather than typical psychedelia. From their first album (and only album from the '60s), the vaudevillian "Hello Hello" became the first hit single to emerge from the San Francisco rock scene, reaching #26 on the US pop charts in January 1967 and #9 in Canada. Playing vintage rock in a wintery setting, here's the only footage I've seen of these guys from this era.
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This next classic 'Hello' song is brought to you by The Doors from their 1968 album Waiting for the Sun. Released as a single that June, "Hello, I love You" reached #1 in the U.S. where it sold over a million copies, and hit #1 in Canada. It was also the group's first big hit in the UK, hitting #15 on the chart. While some skeptics believed the song's musical structure was stolen from The Kinks' "All the Day and All of the Night", which does have a similar riff, Doors guitarist Robby Krieger (who wrote this song with all three band mates) said the song's vibe was taken from Cream's "Sunshine of Your Love. Here's some great footage of a rockin' psychedelic classic.
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And of course, it's only appropriate to end this post with "Hello, Goodbye" by The Beatles. Released in November of 1967, this Paul McCartney tune scored #1 on the charts in the US, UK, France, and Norway, and was the Christmas #1 (UK) of that year. Directed by McCartney, three promotional films were produced, but they were not allowed to air on the BBC because of Musician's Union strict rules about mimed performances, however, one was featured on The Ed Sullivan Show in the US. Wearing their infamous "Sgt. Pepper" uniforms, here's the fun, pop rock song that is basically about "everything and nothing" at the same (as explained by McCartney upon the song's release).

And on that note, Happy New Year, Farewell to 2011, and Hello 2012!

Monday, May 2, 2011

The Heavy Second Wave

British Invasion: Part 9 (Second Wave, 1967-1970)

By 1967, the term 'roll' was generally dropped and the rock style of the 1960s emerged, also marking the end of the Invasion. However, from 1967-1970, the Brits did send off a much smaller 'second wave' of this newer rock sound (however, the official Second Invasion wouldn't take place until the 1980s). As the decade progressed, you can not only hear how much 'heavier' the music gets, but can also see a distinctive change in appearance, and boy, did hair get long! So hang on, we've got a whopping seven groups in this post!

First up, Cream was a British rock supergroup with bassist Jack Bruce on lead vocals, the bluesy guitarist/vocalist Eric Clapton (of The Yardbirds), and jazz-influenced drummer Ginger Baker, who created a hybrid of blues rock, hard rock, and psychedelic rock. They were the world's first notable and successful supergroup, selling over 35 million records in just the short two years that they were together. From their third album Wheels on Fire (the world's first platinum-selling double album), "White Room" was released as a single in September 1968, reaching #6 on the US charts and later becoming another among the 500 Greatest Songs of All Time. Recorded using an eight-track tape recorder (rare at the time), Clapton makes great use of the wah -wah pedal guitar effect on this classic psychedelic tune, a style he learned from fellow guitarist Jimi Hendrix. Here's live footage from their Farewell Performance in 1968.

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Joe Cocker was an English rock/blues musician known for his gritty voice and is ranked among the 100 greatest singers of all time. In 1968, he gained his biggest success with a radical re-arranged version of The Beatles' "With a Little Help from My Friends," which features a longer introduction, is in a slower, 6/8 meter, and uses different chords in the middle section. Reaching #1 on the British singles charts, this songs is considered one of the greatest music covers of all time, and is sometimes referred to as "The Wonder Years" song as it was the theme for that American TV series from the late 1980s. The Beatles were so impressed with this version that they gave Cocker permission to sing some of their other songs including "She Came in Through the Bathroom Window" and "Something." In the recording, Jimmy Page of Led Zeppelin played the guitar lines.

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Speaking of Led Zeppelin, they were another English rock group that formed in 1968 and are considered as influential to rock music of the 1970s as The Beatles were to the '60s. With a heavy, bluesy guitar-driven sound, they are founding fathers of heavy metal and hard rock, however, about a third of their music is acoustic and they drew from several other styles including Celtic, Eastern Indian, and folk music. Some sources say they have sold over 300 million records, making them one of the world's best-selling artists of all time. Consisting of guitarist Jimmy Page (of The Yardbirds), singer Robert Plant, drummer John Bonham, and bassist John Paul Jones, they were probably the biggest band of the 1970s. However, here they are early in their career in the late 1960s performing "How Many More Times." Definitely no "Stairway to Heaven" (1971), but interesting to see their beginnings.

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In 1967, the English rock group Traffic was formed by Steve Winwood (from The Spencer Davis Group), Jim Capaldi, Chris Wood, and Dave Mason, whose first singles were influenced by The Beatles. Initially starting out as a psychedelic rock group, they expanded their sound with the use of keyboards like the Mellotron, reed instruments, and included jazz and improv techniques in their music. Released in August 1967, the psychedelic pop classic "Hole in My Shoe" was written by guitarist Dave Mason (one of the chief songwriters with Winwood) and with its "Beatles-esque" sound, reached #2 on the UK charts. The little monologue in the middle was spoken by the stepdaughter of the boss of their record label, a simple effect, along with the sitar, that were typically traits of psychedelic music.

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Like Led Zeppelin, Deep Purple was another English rock group from 1968 that are also considered pioneers of modern hard rock and heavy metal. Once listed in the Guinness Book of World Records for being "the loudest pop group," these guys are ranked among the greatest artists of hard rock and have sold over 100 million records worldwide. They have had many different personnel line-ups over the years and are still touring to this day. Their breakout success started with their first hit single "Hush," released in June 1968, reaching #4 on the US charts (though was overlooked in the UK). This song was originally performed by Billy Joe Royal (known for "Down in the Boondocks"), however, Deep Purple's hard rock version became better known and is still remembered today. Definitely a classic, however, I'm not a fan of the band's attire here.

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One of the most commercially successful and influential rock bands of all time was Pink Floyd, selling over 200 million albums worldwide. With their progressive and psychedelic rock music, they were known for their philosophical lyrics, audio experimentation, innovative album art, and their ornate live shows. Founded in 1965 by college students Roger Waters, Nick Mason, Richard Wright, and Syd Barrett, they got their start playing in London's underground club scene, and released their first single, "Arnold Layne," in spring of 1967. This psychedelic pop song was written by original frontman Syd Barrett, however, due to his unstable mental health, he was soon replaced by guitarist David Gilmour who was a part of the lineup when the band achieved worldwide critical success with albums in the 1970s such The Dark Side of the Moon and The Wall. Once again, it's interesting to hear the early sound of these mega groups-to-be in the 1960s.

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At last, we've reached the final group of the day: The Jimi Hendrix Experience. Okay, I know we're talked a little about guitar-wizard Jimi Hendrix before and we all clearly know that he was American, however, this "power trio" included Brits, bassist Noel Redding and drummer Mitch Mitchell, and originally formed in London. Not only influential to the development of hard rock and heavy metal, The Experience will always be known for the skill, style, and charisma of one of the greatest guitarists of all time as their frontman. The group came to prominence in the US after the infamous performance at the Monterey Pop Festival in 1967 where Hendrix set his guitar on fire. After seeing the Festival, The Monkees actually asked The Experience to go on tour with them as their opening act (definitely a mismatch!), but Hendrix and the guys only lasted a few concerts before they couldn't stand the 'boos' from the unappreciative teenage audience. Released as their first single in December 1966 (in the UK), the band's blues-rock version of "Hey Joe" failed to chart in the US, however has since become one of those 500 Greatest Songs of All Time and remains the most well-known version of this song.