This week on March 1st, American singer Gayle McCormick died of cancer at the age of 67. In 1969, the blues-based rock band Smith formed in L.A., and their first album, entitled "A
Group Called Smith," featured McCormick as the primary vocalist. Smith
mainly played and recorded covers of pop and soul songs, and made the Top-5 with a remake of the Burt Bacharach-penned tune "Baby It's You,"charting higher than the previous hit versions by The Shirelles and The Beatles. Selling over a million copies in the summer of '69, it received the gold record award. Smith's version was also featured in Quentin Tarantino's film Death Proof, introducing the tune to a new audience. After Smith disbanded, McCormick went on to record three solo albums in the early '70s. The single "It's a Cryin' Shame" from her eponymous first album was a minor hit for her, reaching #44 on the charts in 1971.
Here's classic footage of some great talent, "Baby It's You."
Whoa, barely two months into 2016 and the world has lost an incredible amount of musical talent. While you may not know of all these names, here are five more noteworthy artists who have recently passed away.
On January 28th, Jefferson Airplane's lead guitarist and songwriter, Paul Kantner, died at the age of 74 (pictured second from left with glasses). Jefferson Airplane's psychedelic sound and free-spirited mindset helped define the '60s counterculture in San Francisco. Kantner was a co-founder of the
group in 1965 with Marty Balin and the guiding spirit of its successor,
Jefferson Starship. With
hits like "Somebody to Love" and "White Rabbit" (both featured here), Jefferson Airplane
wrote anthems for the hippie movement and the memorable Summer of Love in 1967. While vocalists Grace Slick and Balin were the public faces of Jefferson
Airplane, Kantner was often the creative force
of the band, bringing a freshness from his folk music scene background. From their historic album Surrealistic Pillow in 1967, listen for Kantner's vocal at 1:08 in "How Do You Feel?"
And what are the odds two members of Jefferson Airplane would pass away on the same day and at the same age? Also on January 28th, the band's original female vocalist, Signe Anderson, died at 74 (also pictured in the top photo). Initially a jazz and folk singer in Portland, OR, she joined Jefferson Airplane after a trip to San Francisco in 1965, and sang on their first album Jefferson Airplane Takes Off. Married to one of the Merry Pranksters, Jerry Anderson, and pregnant with her first child, Signe left the group in late 1966, and was replaced by rock 'n roll diva Grace Slick. Check out this footage of the band performing "It's No Secret" at the Fillmore Auditorium in San Francisco in 1966; look for Signe at the 1:34 mark.
On January 16th, American singer and guitarist Gary Loizzo, best-known as the lead singer of The American Breed, passed away at the age of 70. From the greater Chicago area, The American Breed had several hit records, including the million-selling single
"Bend Me, Shape Me" in 1967/'68.
In the early '70s, Loizzo went on to start his own recording studio called 'Pumpkin Studios,' and became a two-time Grammy-nominated recording engineer. He worked with REO Speedwagon, Styx, Bad Company, Slash, Survivor, Liza Minnelli, Tenacious D, and many others. Since "Bend Me, Shape Me" was previously featured here, here's their first Top-40 hit in 1967, "Step Out of Your Mind" (gotta love that "trumpet-playing" drummer).
On February 6th, American singer-songwriter Dan Hicks passed away, also at the end of 74. Combining cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music in his sound, Hicks first became part of the San Francisco folk
music scene in 1959, performing at local coffeehouses. Later, he joined the San Francisco band The Charlatans in 1965 as drummer, and in 1967, formed Dan Hicks & His Hot Licks, contemporaries of Grateful Dead and Jefferson Airplane. From his first albumreleased in 1969, "How Can I Miss You When You Won't Go Away?" features Hick's humor, frequently infused into his tunes.
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Finally, American musician, songwriter, screenwriter, and voice actor Bill Martin passed away on January 27th at the age of 64. A friend of Monkee Michael Nesmith, Martin's first contribution to The Monkees came in the form of "All of Your Toys,"
recorded during the very first studio sessions that featured the group
supporting themselves instrumentally. Because of a publishing dispute
with Screen Gems, the song never saw the light of day until it was released
on the Missing Links compilation in 1987. He also composed "The Door Into Summer," which did see release on 1967's Pisces, Aquarius, Capricorn & Jones Ltd. album. Martin later collaborated with other artists, including Harry Nilsson ("Rainmaker," covered by Nesmith on his third solo effort, Nevada Fighter). Martin later co-starred with Nesmith in his Grammy-winning Elephant Parts in 1981, and in addition to screenwriting credits (1987's Harry and the Hendersons), his voice skills earned him roles in numerous animated series. Unfortunately, I could not find any photos of him! But these two songs are true gems and needed to be included. Here's the Bill Martin-penned could-have-been-a-hit Monkees' tune, "All of Your Toys," recorded in 1967.
From The Monkees' fourth studio album, here's "The Door Into Summer," officially written by Bill Martin and the Monkees' producer Chip Douglas (although Douglas denies any writing contribution). Another fantastic tune.
On January 10th, the world mourned the loss of music innovator David Bowie, who lost the battle to liver cancer at the age of 69. Born and raised in Brixton, South London as David ("Davie") Jones, he changed his name to Bowie early in his career to avoid confusion with Davy Jones of The Monkees. From singer, songwriter, multi-instrumentalist, record producer, arranger, painter and actor, Bowie was a trailblazing figure in pop culture for over four decades, and a pioneer of glam rock in the 1970s. While Bowie re-emerged in '72 with his alter-ego Ziggy Stardust, and achieved American crossover success in '75 with "Fame," we'll only touch on his first Top-5 UK hit in the late '60s, "Space Oddity."
Released as a single in July 1969, the title and subject matter were inspired by Stanley Kubrick's 2001: A Space Odyssey and introduced the character of Major Tom. The United States' Apollo 11 mission would launch five days later, and would become the first manned moon landing another five days later. Written by Bowie for his promotional film Love You Till Tuesday (featured below), a longer
re-recorded version of the song was included as the opening song
for the 1969 album David Bowie (released that November). Upon its re-release as a single in 1973, the song reached #15 on the Billboard chart and became Bowie's first hit single in the US. Still one of his best-known songs, "Space Oddity" was a
largely acoustic number augmented by the eerie tones of the Stylophone, a pocket electronic organ played by Bowie. Love this classic footage from so early in his career.
So much more can be said about this influential musician; this quick tribute doesn't do him justice. Farewell, David Bowie.
This week on October 6th, we lost another voice of the '60s. American pop singer Billy Joe Royal passed away in his sleep at the age of 73 in his North Carolina home. His most successful record was "Down in the Boondocks" from 1965. After hearing a demo he recorded of the song (written by his friend, performer and songwriter Joe South), Columbia Records offered Royal a singing contract in 1965, and released his version of the song. "Down in the Boondocks" remained his best-known song, reaching # 9 on the Billboard chartand # 38 in the UK. He followed up with another hit single in '65 with "I Knew You When" (#14 in US, #1 in Canada), and later, "Cherry Hill Park," #15 in 1969. Royal became a regular performer in Vegas during the 1970s, and reinvented himself as a mainstream country star in the 1980s.
Here's a classic performance of his "wrong side of the tracks" theme, "Down In The Boondocks."
Here's another performance on Shindig! and some great vocalson "I Knew You When," also written by Joe South. (When I didn't know any better, I use to think this was a Tommy James song. My apologies, Mr. Royal).
And can't forget about this tune with its barely disguised double-entendre lyrics about Mary Hill in "Cherry Hill Park."
On July 22nd, my college buddy (music major too!) and I enjoyed a groovy night of The Happy Together Concert at a fantastic outdoor venue, Humphrey's-By-The-Bay, in San Diego. Back by popular demand, this year's tour featured regulars like Flo & Eddie of The Turtles and The Grass Roots, as well as The Buckinghams, The Association, Mark Lindsay (former lead singer of Paul Revere & The Raiders), and first-timers, The Cowsills. While I've had the opportunity to see The Turtles and The Grass Roots perform together three years ago, it was a real treat hearing these other great artists as well! The backing band was made up of stellar musicians who helped lock in the sound of the original recordings we all know and love. No doubt the crowd at this sold-out event was really diggin' the perfect weather and classic tunes!
Our view from the back of the relatively intimate venue. Loved the location right next to the harbor in Point Loma (photo during The Association's set).
The first act of the evening was The Buckinghams, and not only did they sound great, they looked pretty good too! Featuring original members Carl Giammarese and Nick Fortuna, I loved hearing all their hits from "Kind of a Drag," "Susan," "Mercy Mercy Mercy," "Don't You Care," and "Hey Baby (They're Playing Our Song)." It was a crack-up when lead singer Carl brought out an old, retro jacket he wore in concerts in the '60s; he claimed he had to buy it back on eBay! Did I mention his voice sounded superb?! Love this Sunshine pop from Chicago! Here's The Buckinghams' #1 hit from 1967, "Kind of a Drag."
On their debut year with The Happy Together Tour, the next act featured the wonderful Cowsill siblings,
Susan, Paul and Bob, whose hits include "The Rain, the Park and the Other Things," "Hair," and "Indian Lakes," to name a few. They even performed "Love American Style," which was the theme they recorded for the 1970s show of the same name. The Cowsills proved they can still harmonize beautifully and were fantastic addition to the Tour. Since the other songs mentioned have already been featured on this blog, here's a classic promo video of The Cowsills' "We Can Fly," a #21 hit in 1967.
Before intermission, we rocked out to Mark Dawson and Dusty Hanvey who have returned to carry on the music of the The Grass Roots. As mentioned in my concert recap from three years ago (here), these guys never disappoint and covered all the great ones including "Let's Live For Today," "Temptation Eyes," "Wait a Million Years," and "Midnight Confessions." I love their moving a cappella tribute to Vietnam vets, particularly to the ones who did not return home. Although it's been featured a few times before on this blog, here's rare footage of The Grass Roots performing their #5 hit "Midnight Confessions" from 1968 (Rob and Warren are enjoying themselves way too much, ha). Love this tune!
Kicking off the second half of the show, The Association continued with the talents of Del Ramos (brother of the late Larry Ramos), Jim Yester, and Jules Alexander (although a 4th member joined them this particular night and I can't remember who! Maybe Russ Giguere? Feel free to chime in if you were there too!). Performing their four big hits like "Windy," "Along Comes Mary," "Cherish," and "Never My Love," the whole crowd was singing along, no matter that the vocal group didn't have the tightest of harmonies as they did in the '60s. It was a lot of fun and the guys looked cute in their matching white suits.
Because you've got to check out this clever and classic opening from this live performance, here's The Association playing "Along Comes Mary" at the Monterey Pop Festival in 1967.
For the next set, you could feel the crowd's love for Mark Lindsay, original lead singer for Paul Revere & The Raiders. While this guy not only sounds pretty good, he had incredible energy and can still kick higher than a Radio City Rockette. This Raider covered the hits like "Kicks," "Hungry," and "Good Thing," as well as "Arizona" from his solo career in the early '70s. I couldn't
help but laugh at the ecstatic audience when he performed "Indian Reservation." I get this was a #1 hit in 1971, but I have never liked that song for some reason. Sorry, guys! Still a well-done performance for a happy crowd. Considering how much these guys were on TV, it's surprisingly hard to find good quality footage, but here's Mark Lindsay performing the #6 US hit "Hungry" with Paul Revere & The Raiders in 1966.
The night concluded with the entertaining Flo & Eddie (Mark Volman and Howard Kaylan) of The Turtles, who are responsible for keeping this Happy Together Tour together each year. After beginning their set by poking fun at the "lousy" music of today (in this case, Flo wearing a snowman suit and lip-syncing a bit to a certain popular Disney song), the guys jumped into their early folk rock hits like "You Baby" and "It Ain't Me Babe," followed by "Elenore" from the late '60s. They also condensed snippets from their solo show including nods to Frank Zappa and Bruce Springsteen (which I likely would have missed if I hadn't seen their show 3 years ago). Of course, this wouldn't be the Happy Together Tour without their quintessential '60s hit of the same name. Finally, the concert was recapped when each group hopped back onstage and performed a quick segment from one of their top songs, concluding with an all-hands "Happy Together" singalong (The Turtles' #1 hit in 1967). Also a great cover version by Johnny Cash, here's The Turtles performing the Bob Dylan-penned "It Ain't Me Babe" on Shindig! in 1965 (#8 in the US).
What a fun night hearing all the classics! Thanks to Humphrey's for hosting these great groups!
And thanks to my buddy, Jenny, for being a good sport as my concert buddy. :)
On a side night, this night holds the record for the most comments about my white go-go boots. I even had someone ask me if these were my original boots that I had kept all these years. Why, yes, thank you. I do look pretty good for 65!
Novelty Songs: Part 2
Since this blog is nearly turning into an obituary site for rockers, let's liven things up a bit with classic novelty songs! Last summer, I made a "Silly Songs" playlist for my kiddo and it was a huge hit. And in case you were wondering when Part 1 was posted, it was a special Father's Day post from my first year blogging here, a real hoot. Now onto more hilarious tunes from the back of your memory banks!
Best remembered for originating the Harold Hill role in the musical The Music Man, American stage and film actor Robert Preston was asked to make a recording as part of a program by the President's Council on Physical Fitness in 1961 to get schoolkids to do more daily exercise. The song, "Chicken Fat" (also known as "The Youth Fitness Song"), which was written and composed by Meredith Willson
and performed by Preston with full orchestral accompaniment, was
distributed to schools across the nation for free and played for students in
calisthenics every morning. Willson and Preston volunteered their services on the project, while Capitol Records,
which produced and distributed three million copies of the LP, paid for the backup musicians, studio time, and production and
distribution. The song later became a surprise novelty hit was widely used in schools in the 1960s and 1970s. "Go, you chicken fat, go!" Can they please bring this back to gym class?!!
A trio of cousins from New Jersey, The Ran-Dells scored a one-hit wonder novelty song in 1963 with "Martian Hop," which reached #16 on the Billboard chart. At an era when pop culture was saturated with the beginning of the Space Age, the song is a product of impromptu beach jam sessions when the three band members joked around about Martians throwing a dance party for "all the human race." Though the Ran-Dells have been recognized for innovative and pioneering use of a sine wave generator
(a first for the pop music genre), the 12-second introduction at the beginning of
the song is an uncredited sample from the first 30 seconds of "Moon
Maid" by Tom Dissevelt and Dick Raaymakers from their 1962 experimental album, one year before "Martian Hop" (check it out here).
A successful pop singer and actor in the late 50s and early 60s, Pat Boone had 38 Top-40 hits and still holds the Billboard record for spending 220 consecutive weeks on the charts with one or more songs each week. In 1962, Boone found a hit with novelty tune with a cover of "Speedy Gonzales" about the "fastest mouse in all Mexico." The Boone version peaked at the #6 on the Billboard chart during a total chart run of 13 weeks, doing better in
many national charts in Europe, where it sold a million copies.The female voice ("La-la-la...") on this song was of session singer Robin Ward (Elton John stated that the "hook" in his best-selling single "Crocodile Rock" was inspired by his listening to Ward's vocal on "Speedy Gonzales"). This song also incorporated Mel Blanc voicing Speedy Gonzales as he did in the Warner Brothers cartoons.
------------------------------------------------------------------------------------------------------------------------- American folk singer and songwriter Tom Glazer found his greatest commercial success with his original 1963 recording of the song parody "On Top of Spaghetti" based on the "On Top of Old Smoky," which he recorded with the Do-Re-Mi Children's Chorus. It is the tale of a meatball
that was lost when "somebody sneezed," and discusses what happened
to the meatball after it fell off of a pile of spaghetti and rolled
away. Call and response songs are always a hit with the kids!
Although definitely not a one-hit wonder, American soul music singer and songwriter Shirley Ellis capitalized on her novelty hits like "The Clapping Song" (previously featured here during our Dance Craze post) and "The Name Game." Written by Ellis with Lincoln Chase and recorded in late 1964, this record went to #3 on the Billboard chart and #4 on the R&B charts in 1965. With lyrics featuring a rhyming game that creates variations on a person's name, Ellis performed this novelty hit on the major television programs of the day, including Hullabaloo, American Bandstand and The Merv Griffin Show. The song later became a popular children's singalong.
Known as the King of Skiffle, Scottish singer-songwriter Lonnie Donegan was probably Britain's most successful and influential recording artist before The Beatles, with 31 Top-30 UK hits, 24 being successive and three at #1. He scored his biggest US hit with the novelty song, "Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight)?" first hitting #3 on the UK chart in 1959 and then peaking #5 on the US chart in 1961. The song is a cover version of "Does The Spearmint Lose Its Flavor on the Bedpost Overnight?" first released in 1924 by The Happiness Boys. The title and lyrics of the Donegan version were changed in the UK because "Spearmint" is a registered trademarkthere, and the BBC would not play songs that mentioned trademarks.
American country music singer-songwriter Roger Miller is best-known for his chart-topping country pop hits and honky-tonk-influenced novelty songs. In fact, I enjoy this novelty tunes so much, I couldn't pick just one! From his classic 1965 album The Return of Roger Miller, two singles were released including his biggest hit "King of the Road" (previously featured during our Country Crossovers posts here) and this novelty hit "(And You Had a) Do-Wacka-Do" (#15 on the country chart and #31 on the Billboard chart). The expression "do-wacka-do" is a funny way of saying "do-like-I-do," and the song itself expresses envy in a humorous way. Here's great live footage of this classic.
And the other novelty tune I couldn't leave out is this other Roger Miller gem that my kid adores too.
From the same album, the track "You Can't Roller Skate in a Buffalo Herd" was later released as a single in 1966. This wacky tune was actually Miller's favorite song that he wrote. Here's a live performance for a bit later, Miller still sounding great. Not that the lyrics are meant to make sense,, but the part where "you can't change film with a kid on your back" is an especially mind-boggling line for the youngsters these days! Haha.